History Behind the Story – Outtakes

Charleston Tides History Behind the Story – Outtakes

There were a few historical tidbits covered in Charleston Tides that didn’t quite merit their own posts, so I thought it would be fun to do a lightning “History Behind the Story” round covering five “outtake” topics.  As always, there are a few spoilers ahead if you haven’t read the series. Here we go!

1. Mementos:  You may remember in Charleston Tides that as soon as the war was over, people flocked to Charleston to get mementos of slavery, newly a dead institution.  In Charleston Tides, we hear of the slave-trading district being combed for manacles, market bells, and a set of steps that were sent to William Lloyd Garrison as a trophy.  John C. Calhoun’s tomb was desecrated, and people were delighted to take little pieces of stone from it as mementos.  Clover was picked from the grounds of Institute Hall, where the Ordinance of Secession had been enacted in Charleston.

This seems a bit odd to us, but there was an obsession during the Victorian era with mementos.  You can learn more about this in Episode 63 of the Ben Franklin’s World Podcast, “Ruin Nation: Destruction and the American Civil War.”  The author of a book by the same name, Megan Kate Nelson, mainly talks about the general destruction of the war, but she also goes briefly into the memento fixation of the Civil War era.  My first encounter with the same was with the house museums of Middle Tennessee, where hair art was really popular during Victorian times.  You would take a clip (or a lot) of hair from every deceased relative and add it to a piece of hair art.  These were then made into an elaborate floral display or the shape of a fan, and every family member gets added in as the generations progress.   Even Queen Victoria, when she died, had all of her hair cut off as mementos to be given out!

2. Separation of Civil War Families:  You may have noticed that a side-character couple, the Rices, have children who are not living with them at the beginning of the war.  It is mentioned that their children are in school in Illinois.  I didn’t specify whether the Rices were actually from Illinois, because it was most likely that their children were sent there because a school had been found that was a good fit for their needs.  Separation was a reality for most Civil War families, especially those of a military variety, and usually the non-combatant members were sent to where it was most expedient based on needs of the day.

Ulysses and Julia Grant, for instance, had to send their children to various schools, often not near them or family or any particular ties, but to where they felt it would be best for the children. If the family was able to come together, it was only briefly, and often with various children here or there at different times.  Ellen Sherman, who had always been particularly opposed to living away from her Ohio home, picked up and moved her many children to South Bend, Indiana, where they could attend Catholic schools and be near particular clergy who were close to her family. 

In Southern households, safety was also a key factor.  In the fictional movie The Beguiled, (recommended to me by a friend!) there is a girls’ school which is still operating because families sent their daughters there to be out of war zones.  Alva Smith Vanderbilt Belmont’s father sent her mother and sisters to live in Paris during the war.  Robert E. Lee’s family was scattered out of necessity due to their properties being close to the Union Army lines.  His only child to die during the war was a daughter, Annie, who after living in Virginia most of her life, had moved to Jones Springs, North Carolina to try to recover from Typhoid Fever. 

And of course, enslaved families who had been separated by ownership continued to be so throughout the duration of the war, unless they lived in an emancipated area and could find their family members. Reuniting with family was a huge challenge for many freed people in the aftermath of the war.

Separation was a very real and very painful thing for many families during the Civil War.

3. Birth Control: [Skip this one if you don’t have a desire to learn about Victorian birth control – haha!] In Charleston Tides, as I was thinking about Shannon’s brother and his wife’s future, it struck me that 1865 Charleston was a very bad time and place to have a baby.  To think about having another mouth to feed when everyone is basically starving, with no hope of income, and when there was a recent death in childbirth… Realistically, it just seemed like a “No.”  So I started researching historical birth control to see if it was accurate to hint that this might be used.  During my Native American studies in college, I had in research stumbled across various practices used with some success, so protection has been used in North America for a long time. 

I always see in historical fiction storylines of certain herbs to prevent conception, which… I’m just not convinced, frankly.  If you think about the limitations in Victorian medicine and the understanding of the human body in general, getting doses right, taking them at the right times, and even still today they are not seen as being entirely effective…  This seems like a historical myth that has been taken a little out of proportion. 

Which leads me to…historical condoms.  We’ve all read about (I’m just going to whisper it here) sheep’s intestines.  Historic condom-like devices have been found dating back to ancient times.  I won’t detail all of them here.  But actually by 1855, rubber condoms were invented, if not widely used.  They were even advertised in the New York Times, which seems to conflict with notions of Victorian fustiness! 

Of course, there were various other methods of birth control, and I do think there were people, even married couples, who used them during the Victorian Era.  You can read between the lines in letters and diaries.  One that stands out in my mind is a Victorian plantation mistress talking about her sister-in-law, who had given birth to two babies in quick succession.  A mother herself, the lady says something like, “I don’t know how she does it.  I could never do it.”  What else can this mean than that she was doing some strategic spacing of her own children?

4.  Resistance to Insurgency in the South: There is a brief mention that Shannon’s brother, who had been a Confederate Naval officer, actually supported John Thomas’s political efforts to quell violence against freedmen in the South.  I didn’t touch on this in the post about insurgency and violence, but there were such Southerners who lent their aid.  There were some who did so for noble reasons, but most who did were thinking more practically.  They knew that violence would cause a longer occupation, which would lead to a loss of rights by those traditionally in power, as well as a longer period to recover financially after the war.  One example of a Confederate officer-turned aid to Reconstruction is James Longstreet, who was given a job by the Grant administration.  Of course, there were many who were not similarly ready to move on and who took action against the goals of Reconstruction, even to the point of joining and forming insurgent societies.

An Elite Free Black Family in Victorian Charleston

Welcome to the last post for the History Behind the Story Series for Charleston Tides!  My sister is in graduate school in Charleston. When I heard that she was researching elite free Black women in Charleston around the time of the Civil war, I knew I wanted to request a guest post from her.  [Warning: There will be a few spoilers in the next paragraph if you haven’t read Charleston Tides. Just skip it if you need to and go on to the next!]

In Charleston Tides, we encounter a number of characters who are Black women who held a legal free status in Charleston long before the Civil War emancipated the enslaved.  These were: Jeptha, who becomes the housekeeper in Shannon’s household, Justinia Reed, who has been a midwife for twenty years (who is also Shannon’s father’s mistress), and Miss Millington, a dressmaker. 

The lives of Charleston’s free Black population are important to history, as well as fascinating.  In addition to the regular free Black community, which I was able to explore in the series to a degree, there was also a thriving aristocratic free Black community in Charleston. This historical topic is one that I wish I had been able to cover in more detail in the Torn Asunder Series.  But in lieu of that, I asked my sister to streamline one of her graduate papers which explores one facet and family in Charleston’s elite free Black history.  So without further ado…

The Bettingall-Tunno Women:

Navigating Charleston’s Legal Landscape Before, During, and After the Civil War

*Warning: some of the quoted language in this post contains historical rhetoric used in the aftermath of the Civil War which would be considered offensive today.*

I’m so excited to make a guest contribution to Tea & Rebellion! As a History graduate student at the College of Charleston and The Citadel, I’m passionate about bringing historical resources to life. What started as a pet project digging through faded papers in South Carolina Historical Society’s archives developed into a substantial research endeavor exploring Charleston’s elite free Black community experience in the period before, during, and after the Civil War through various facets of rhetoric and law.

For the purposes of this post, I explore the experiences of a specific community of free Black Charlestonians which was considered aristocratic in its day. I investigate changing norms, laws, and race rhetoric to reveal how Black aristocrats engaged, managed, and interacted with the law in a white-dominated patriarchal society in the aftermath of the war. In doing this, I narrowed down my scope to a family known to history as the Bettingall-Tunno family. The Bettingall-Tunno women’s perspective reveals the relative ease with which elite free Blacks negotiated Charleston’s legal and paternalistic landscape. These women embodied Charleston’s elite free Black pre-war experience, making the study of their court records and attorneys’ papers significant to the field of African American history.

Margaret Bettingall, a free woman of color, married Adam Tunno, a prominent white merchant turned planter in antebellum Charleston.[1] They lived openly as husband and wife, and this did not stun elite white society. Margaret brought a daughter to the marriage, and the couple had another daughter. When Adam Tunno died in 1832, his wife, daughter, and stepdaughter found themselves well-positioned in Charleston. Then, on the precipice of the Civil War, Margaret Bettingall-Tunno and her daughters increasingly challenged systems that began to value their skin color more than their social position. Later, in Reconstruction Charleston, maintaining significant real property, wealth, and a sense of agency meant that the Bettingall-Tunno women had to learn to maneuver the law when others tried to take advantage of what they perceived as race or gender ignorance.[2] Let’s take a moment to look at the world in which Margaret Bettingall and her family lived.

South Carolina differed from other southern states in its laws regarding marriage before the Civil War. South Carolina law allowed free Blacks to marry anyone of their choice, except an enslaved person, “even…white people.”[3] Black and white intermarriage occurred in antebellum Charleston, though this was by no means a typical experience of elite free Blacks.[4]

Regardless of race, marriage served an important societal function of rationalizing the patriarchy. Just as aristocratic husbands modeled greater American society, aristocratic wives represented all that a wealthy woman should be based on societal expectations and patriarchal prescriptions. A free Black woman’s ability to embody these expectations could determine the legitimacy of the marital union in the eyes of white Charleston. Even though the law recognized intermarriages between the races, social acceptance of interracial couples only happened under extraordinary circumstances.

Margaret Bettingall and Adam Tunno demonstrate a rare example of an interracial couple who found community acceptance both among elite free Blacks and elite whites in antebellum Charleston. Though recent scholars have debated whether their marriage was in fact legal, I accept testimony that they filed a marriage certificate in their church, and many of Tunno’s friends openly called Bettingall his wife.[5] Those in the elite white community who did not know Tunno well called Margaret his housekeeper in public, while privately referring to her as his concubine.[6] Reverend Johnson, Rector of St. Philip’s Parish, verified their marriage ceremony was listed in “Record of the Parish of St. Philip’s”[7] in defense of the Bettingall-Tunno union. 

Following Tunno’s death in 1832, these three women (Margaret, her daughter Hagar, and Margaret and Adam’s daughter) inherited real estate, enslaved individuals, and a significant portion of money from his estate. Critically, they also retained access to certain influential white men who would be key to survival in patriarchal Charleston. Tunno, as her stepfather, assigned legal guardianship of Hagar to Edward Frost, granting her a link with a white parent she did not have and fulfilling the requirement of the law for free Blacks.[8]

To manipulate the law and to experience autonomy, the Bettingall-Tunno women “understood that men were both a hindrance to and a help in their efforts to secure greater liberty for themselves.”[9] Their independent wealth allowed them to maintain agency, and their connections to white men permitted them engage in legal and business ventures.

During the Reconstruction period, a shift occurred from class-based consciousness to complete race consciousness.[10] Post-Emancipation miscegenation fears prompted changes in legislation. South Carolina adopted a Black code in 1865 that prohibited marriage between whites and Blacks, an unprecedented law in the state.[11]

Redefining marriage, though, changed race rhetoric completely. White Charlestonians carefully reconstructed the memory of marriage between Blacks and whites in pre-war times to benefit them socially in Reconstruction Charleston. In an effort to retain a social patriarchy post-Emancipation, former white enslavers and business elites played on fears concerning white women. Regulating interracial marriage and sexual relationships simultaneously placed control of Black bodies and white women back into patriarchal hands. Importantly for elite Black and elite white relations in Reconstruction Charleston, however, the elite free Black community retained kinship ties and blood relations that still held significance among influential whites after the war.

Maintaining a good reputation, for both free Black women and white women, remained crucial to receiving due inheritance from a husband’s estate. If a will became contested in court, a woman of ill-repute was not entitled to her husband’s inheritance.[12] Thus, the language used to describe married women mattered a great deal. Elite Black women who had been considered legally married to white men in Antebellum South Carolina, then, truly felt the weight of changing laws and race rhetoric.

Margaret Bettingall-Tunno encountered the changing race rhetoric when her late husband’s niece, Elizabeth Webb of London, England, contested the Tunno Estate on grounds that “mulatto” children should not rightfully inherit what a man’s white family should.[13] At every deposition, attorneys asked Charleston community members who recognized Margaret and Adam’s relationship what they knew of her character, if she had a good reputation, if they ate meals together or walked together publicly, and if Adam considered her his wife.[14]

John N. Gregg, an elite white man who lived in Charleston and knew of the Bettingall-Tunno alliance, accepted the legality of the interracial marriage. When Margaret’s attorney asked about the legitimacy of her union with Tunno, Gregg replied, “I have heard that she and Mr. Tunno were man and wife, she was a communicant of St. Philip’s Church and you all know that she couldn’t be a communicant of St. Philip’s Church without being the wife of Adam Tunno.”[15] Theodore F. Mitchell, in his court testimony to prove the virtuous nature of Margaret’s character, stated, “The relationship as I have heard was very close… close as she was the head and front of his household.”[16] Mitchell further elaborates that she possessed an upstanding reputation and that the community regarded her as “a good woman.”[17] Another testimony by Mr. Moffett verified that “there was no better woman in Charleston than her.”[18]

In pre-war correspondences between Webb’s attorneys and the Tunno family’s counsel, prominent Charleston attorney Langdon Cheves III, defined the standard for rhetoric regarding the Bettingall-Tunno women, changing it from “mulatto” to “alleged half-caste relatives.”[19] Cheves served as Adam Tunno’s attorney in his lifetime and continued to defend the Bettingall-Tunno women even as late as 1904. His support of these women appears dissonant with the language he used to describe them. The legal rhetoric that passed between both attorneys in the case between Webb and Bettingall-Tunno more accurately reflected the increased conformity to race rhetoric regarding all Blacks than the attorneys’ ability to exercise legal integrity. Writing in the post-war moment, and valuing their white client’s claims, Elizabeth Webb’s London attorneys at Sole, Turner, and Knight drafted, “We do not think for a moment that the testator was really married to these nigger women or either of them, and the document incorporated in his will, by which he made some provision for them, clearly suggests that the relationship between them (if any) were only that of concubinage.”[20] (Tunno’s will did not specify any relationship with the women of his family, only listing them as devisees of his estate.)

Marriage between Margaret Bettingall-Tunno and Adam Tunno, even though proof of a marriage license was unearthed, became in their words “in the highest degree improbable.”[21] The altering language used to describe people of color exemplifies the shift to value race more than social position or class. The Bettingall-Tunno union seemed “improbable” to a white-dominated patriarchal society in which Blacks were stereotyped negatively, thus measured by their skin color and piety rather than their business reputations, wealth, prestige, and connections.

The Bettingall-Tunno women’s responses to the lawsuit are seemingly lost, as only their attorney’s records and the court testimonies from witnesses regarding their characters survive. The fact that Langdon Cheves and attorneys at his firm represented them for so long suggests that even in a city with changing race rhetoric, the Bettingall-Tunnos found avenues to protect themselves by maneuvering within the system, a technique they had utilized in the antebellum years.

Surviving records illustrate that Cheves never hesitated to represent these women or their claims. A cursory search of his other clients, including elite Charlestonians like the Drayton family, reveals the speed and efficiency that Cheves conducted business for his other clients.[22]  That Cheves allowed the suit between Webb and Bettingall-Tunno to extend over the course of decades suggests that he knew the limitations women of color would experience in the law, and that the outcome would not be in their favor. He would wait weeks, sometimes months, to reply to letters from the attorneys at Sole, Turner, and Knight. Even though correspondences had to travel from Charleston to London, Webb’s London lawyers always produced a response to Cheves within a couple of weeks.[23] The Bettingall-Tunno women never relented in any part of the case, either, which suggests their persistent resistance to changing race attitudes.

Years progressed in Reconstruction Charleston, and as late as 1902, the court case between Elizabeth Webb and the Bettingall-Tunno women continued. Elizabeth Webb eventually won her case against the Bettingall-Tunno women in 1904.[24] Margaret Bettingall-Tunno and her daughters were already deceased at this point, and Elizabeth Webb died before she could receive what was left of the funds from Adam Tunno’s estate.[25]

Law, grounded in racism, became the basis for justifications that purposefully excluded on the basis of gender, class, and race in the decades following Reconstruction. Charleston’s elite free Black community experience witnessed unprecedented transformations both in law and rhetoric. Formerly engaging in unique privileges due to wealth, standing, and connections with prominent Charlestonians, elite Blacks now experienced contingent freedoms with increasingly more stringent social parameters.

Charleston’s legal landscape in the short period surrounding the Civil War reveals the ways in which elite free Blacks constantly adapted to maintain a prominent social position and find protections against race systems that devalued this group. Experts at manipulating the often-unfair law and pursuing personal gains, Charleston’s elite Blacks created a community that both utilized Black-white relations and circumvented a society that valued a white patriarchy.

Tara again – Thanks so much for sharing your work with us, Hannah! Please note that, while most everything on Tea & Rebellion is permitted to be used with a citation or crediting to the blog, the information in this post may only be used or quoted by permission of Hannah Cowan Jones, which can be requested at the contact tab, the reason being that this post is the result of extensive scholarly research.

There are no known photos existing of the Bettingall-Tunno women.  So I thought I would share some images of elite nineteenth century ladies below.

Photo Credits: BGLH Marketplace (10 Stunning Photos of Black Women from the Victorian Era – BGLH Marketplace (bglh-marketplace.com).


[1] “Testimony of Reverend John Johnson of St. Philip Parish” in Langdon Cheves Legal Papers (South Carolina Historical Society, Charleston).

[2] Elizabeth Webb, Adam Tunno’s white niece, contested his last will and testament in hopes of gaining her Black cousins’ inheritance; see “In re: Estate of Adam Tunno Deed” in Langdon Cheves Legal Papers (South Carolina Historical Society, Charleston).

[3] Cynthia M. Kennedy, Braided Relations, Entwined Lives: The Women of Charleston’s Urban Slave Society (Bloomington: Indiana University Press, 2005), 103. For a Virginia comparison to view South Carolina’s extraordinary legal position concerning marriage, see Joshua D. Rothman, Notorious in the Neighborhood: Sex and Families Across the Color Line in Virginia, 1787-1861 (Chapel Hill: The University of North Carolina Press, 2003), 56-59.

[4] Sandra F. VanBurkleo, and Amber D. Moulton, “Moses Married a Colored Woman” in The Women’s Review of Books 33, no. 2 (2016): 8-9. See also Wilbert L. Jenkins, Seizing the New Day: African Americans in Post-Civil War Charleston (Bloomington: Indiana University Press, 1998), 2.

[5] For the debate regarding the legality of their marriage, see Amrita Chakrabarti Myers, “The Bettingall-Tunno Family and the Free Black Women of Antebellum Charleston: A Freedom Both Contingent and Constrained” in South Carolina Women: Their Lives and Times (Athens: University of Georgia Press, 2009), 148.

[6] Kennedy, 118.

[7] “Testimony of Reverend John Johnson of St. Philip Parish” in Langdon Cheves Legal Papers (South Carolina Historical Society, Charleston).

[8] See Adam Tunno’s Last Will and Testament in Langdon Cheves Legal Papers (South Carolina Historical Society, Charleston).

[9] Myers, “The Bettingall-Tunno Family”, 148.

[10] Fitchett, 245.

[11] Peter Bardaglio, Reconstructing the Household: Families, Sex, and the Law in the Nineteenth-Century South (Chapel Hill: The University of North Carolina Press, 1995), 179.

[12] Kennedy, 81.

[13] “In re: Estate of Adam Tunno Deed” in Langdon Cheves Legal Papers (South Carolina Historical Society, Charleston).

[14] “Testimonies” in Langdon Cheves Legal Papers (South Carolina Historical Society, Charleston).

[15] “Testimony of John N. Gregg” in Langdon Cheves Legal Papers (South Carolina Historical Society, Charleston).

[16] “Testimony of Theodore F. Mitchell” in Langdon Cheves Legal Papers (South Carolina Historical Society, Charleston).

[17] Ibid.

[18] “Testimony of Mr. Moffitt” in Langdon Cheves Legal Papers (South Carolina Historical Society, Charleston).

[19] “In re: Estate of Adam Tunno Deed” in Langdon Cheves Legal Papers (South Carolina Historical Society, Charleston).

[20] Ibid.

[21] Ibid.

[22] See Drayton Family Papers in Langdon Cheves Legal Papers (South Carolina Historical Society, Charleston).

[23] One such example is found in Cheves’ February response to Sole, Turner, and Knights’ November letter. See “Re: Adam Tunno Decd.” 7 February 1902 in Langdon Cheves Legal Papers (South Carolina Historical Society, Charleston).

[24] “Re: Adam Tunno Deced” in Langdon Cheves Legal Papers (South Carolina Historical Society, Charleston).

[25] Ibid.

Reconstruction Violence and Insurgent Movements

Welcome to the third installment of the History Behind the Story Series for Charleston Tides.  Today’s topic is very broad, and there is no way we could even scratch the surface in one post, so I am going to state the very basic facts to give you an idea of the enormity of the issue.  I will also specifically focus on the aspects of this subject with which I chose to grapple in Charleston Tides.

History Behind the Story #3: Violence Against Freedmen and the Rise of Insurgent Movements

THE HISTORY:  In the aftermath of the Civil War, as guns were being laid down and people were returning home, America had a lot of adjusting to do.  We talked about missed opportunities for really instituting great change for newly emancipated men and women in a prior post.  What happened in actuality was a period of intense instability and violence.  Freedmen were keen to claim their rights, and many found this threatening for various reasons, which in turn led to violence.  I will list some bullet points to give you an idea of just how huge the problem was.

  • Thousands of newly emancipated men and women were murdered and assaulted.  In 1865–1866, the Freedman’s Bureau in Texas alone recorded over a thousand murders, for example.[1]  This was a key factor in forcing the occupation of the formerly Confederate states, which lasted about a decade.  In addition, racial violence was happening simultaneously all over the country, including in the North and in the territories.
  • The Ku Klux Klan, White League, Knights of the White Camelia, and other groups began to form and spread quickly.  There was no centralized organization, but local groups could be quite powerful and devastating.  These organizations threatened freedmen and anyone who helped them.  There were both isolated instances of violence and mass murders.
  • Once “Radical Reconstruction” began, there was also political violence.  Both Black and white Republican officials were targeted, intimidated, and assassinated.  Several high-ranking politicians were killed.  People were shot and lynched and had their homes burned.  In addition, much of the violence was aimed at voter suppression.  Election nights and days were huge times of violence, arson, and other threatening behavior because the organizations mentioned above wished to disenfranchise the newly freed populace (this means men, of course – women wouldn’t be given voting rights for decades).
  • Economic intimidation also became a huge factor in preventing newly freed men and women from claiming their rights.  The sharecropping system became a system of de facto slavery in which formerly enslaved people would be unable to leave due to loans held by landowners for their planting, which, because of the oppressive economic conditions, they would never be able to repay.  In addition, simply “acting free” very often inspired whippings or shootings. Violence also often resulted if people tried to leave.

In Charleston Tides, we see most of this history come to a head at the end of the book (spoiler alert).  John Thomas is almost assassinated because of a speech he gave in Congress highlighting the number of murders which had occurred.  These kinds of assassinations or attempts were all too common and documented against Republican politicians.  In addition, Shannon receives a warning from the Ku Klux Klan at her home in Massachusetts.  There were many such reported incidents of insurgent activity against government officials who were Black or who were seen as supporting freedmen’s equality. 

PERSONAL SPOTLIGHT:  I am going to block quote a few stories which were already told quite succinctly by one of my sources, which is cited below the stories.  These involve officials who were attacked for their political beliefs.

“In Georgia on October 29, 1869, Klansmen attacked and brutally whipped 52-year-old Abram Colby, a formerly enslaved Black man who had been elected to Congress by enfranchised freedmen. Shortly before the attack, a group of Klansmen comprised of white doctors and lawyers tried to bribe Mr. Colby to change parties or resign from office.  When he refused, the men brutally attacked him.”

“In August 1870, a Black legislator named Richard Burke was attempting to organize a meeting of African Americans in Sumter County, Alabama, when he was shot and killed near his home. Mr. Burke was accused of encouraging armed Black people to stage a protest in Livingston, Alabama, but the Southern Republican newspaper reported that the charges against Mr. Burke were most likely made up as an excuse to kill him for his political leadership.”

“In 1870, Guilford Coleman, a Black delegate to the Alabama state convention, was abducted from his home and killed the week he returned from nominating a Reconstruction governor in Demopolis. Investigation into Mr. Coleman’s murder was minimal but reports indicated he was beaten and dumped into a well solely for his political involvement. Reports warned that pro-Reconstruction politicians “dare not canvass the district, lest they lose their lives.”

Source: “Reconstruction in America,” Equal Justice Initiative Website, Documenting Reconstruction Violence -EJI Reports.

FOOD FOR THOUGHT:  The Reconstruction Era is known as one of the darkest times in American history.  There were many actions taken that set precedents for generations to come.  Many have speculated that if Lincoln had lived things would be different.  What do you think? Did President Johnson’s handling of early Reconstruction constitute the most important series of actions during this time period? 

PHOTOGRAPH:   I wanted to introduce you, if you are not already acquainted, to Hiram Revels from Mississippi, who was the first Senator elected of African and Native American ancestry.  He was born free in North Carolina in 1827 and became a preacher in the South before being elected in 1870 to finish the term of one of Mississippi’s U.S. senators. Thankfully, Mr. Revels was not a victim of violence during his tenure, and I wanted to include his story to highlight the strides that he made.

Photo Credit: Wikipedia.com

These posts which cover violence are always very difficult to write and read.  If you are interested in learning more, there are so many resources out there which cover Reconstruction history quite well, and I am happy to recommend some.  Stop by next time for a special guest post, which also happens to be the final History Behind the Story Post for the Torn Asunder Series.

SOURCES:

Chernow, Ron, Grant (New York: Penguin Books, 2017).

“Reconstruction in America,” Equal Justice Initiative Website, Documenting Reconstruction Violence -EJI Reports.

“Southern Violence During Reconstruction,” Southern Violence During Reconstruction | American Experience | Official Site | PBS.


[1] As noted in the Violence Against Women article from Northern Fire, the number of reported crimes was nowhere near the number actually happening due to various reporting and legal constraints.

Fame of Civil War Officers

We’re on to the next History Behind the Story article for Charleston Tides!  Settle in and learn about the background for the historical choices I made concerning the fame of Civil War officers…

History Behind the Story #2: Fame of Civil War Officers

THE HISTORY: One thing that I learned only relatively recently was that the Civil War produced modern-type, completely famous, all-out celebrities. Obviously there had been famous Americans before. But railroads, the press, circles of communications, public interest, and the telegraph combined during the Civil War to make public hysteria for celebrities as intense, if not more so, than it is today. Civil War celebrities and their families had to contend with public interest, adulation, and, sometimes, hostility.

Civil War sensations were famous not just in their states or in the United States, but across the entire world. They became folk legends in Europe and Asia, with military scholars and the general public at large watching their movements intently.

Europeans hungrily waited for reports of Thomas “Stonewall” Jackson’s latest moves and wrote ballads and poems about him. Jackson even sometimes received cheers from Union soldiers he had captured as he walked by them.  People would try to touch the officers and rip their hair and buttons off for souvenirs.  Once, a captured Union soldier began ripping hairs out of Jackson’s famed horse, Little Sorrel, and was ordered to stop but did not.  When Jackson came out, he asked, “My friend, why are you tearing the hair out of my horse’s tail?” The prisoner responded, “Ah, General, each one of these hairs is worth a dollar in New York.”

After the rise of his fame, Ulysses Grant would be swamped at every railroad from which he disembarked.[1]  We’re talking such a tide of people that you are unable to move and people are at risk of getting trampled.  The same was true of other Civil War celebrities.   William Tecumseh Sherman wanted to go visit a friend in Detroit after the war but wrote his brother, “But [I] am bothered by people in travelling so much that I prefer to be quiet ‘til the people run after new gods.”  Jackson was horrified to be engulfed at a church he stopped to attend during the war, and even more so to be accosted by throngs of admiring ladies.  (One pictures Victorian fangirls looking slightly different than those of The Beatles.)

The famous officers’ coping mechanisms varied, but a lot of the strategies bear resemblance to modern tactics. Grant was delighted when his more magnificent-looking doctor was mistaken for himself.  He often used him as a decoy so that he could slip away unnoticed. The famous officers would duck out back doors, stay indoors, keep a low profile, and sometimes flat-out flee from their worshippers.

When Jackson’s daughter was born during the war, he told his wife not to send the news across the telegraph wires and told no one in his camp.  This likely wasn’t unfounded, since months later during the many stops of his extended funeral, people clamored madly to see, touch, and kiss the baby. At one point, she was even taken outside the train and passed from stranger to stranger to stranger as people wept and engaged in mass hysteria.[2]

You also hear of Grant holding his children’s hands in public situations, even after they were a little older than the norm. Modern celebrities do this, too, so I would assume it is a protective gesture.

The way officers dealt mentally with fame was generally in keeping with the individuals’ personalities.  Grant would smile at the crowds; I think he appreciated the praise, but I don’t think it ever went to his head.  Jackson tried to stay out of the spotlight and was always careful to deflect praise from himself and back onto Providence.  He just did not believe God would be happy with him for reveling in glory.  Robert E. Lee handled fame soberly and also was careful to remind admirers that any praise belonged to God.  After the war when Nathan Bedford Forrest was attracting a large crowd in New York, he said, “Get out of my way, God damn you!”  And they did.  So that was one way to deal with it.

For a lot of these officers, nothing in their prior lives would have prepared them for this level of public scrutiny.  Before the war, Grant had been a store clerk who had been more or less forced to resign from the army.  Jackson was an unpopular professor at VMI.  Both Grant and Jackson had flashes of brilliance during the Mexican American War, but nothing to cause them to receive true renown.

One wonders if the fame was a little less foreign to Lee. The Lee family had been mildly famous during the Revolutionary War, and he had married the daughter of George Washington’s adopted grandson.  The Washingtons had been the first American family to be forced to deal with a frenzied level of interest and adulation, so maybe they had passed down some practical coping mechanisms.  In addition, Lee had received relative renown in military circles for his engineering endeavors during the Mexican American War.  Therefore, he had been introduced somewhat to a public life, though his personal experience of it was only a fraction of what it would become as the war progressed and he executed his successful battles.

These celebrities’ fame did usually arise from success in battle: Grant, for his inventive victories in the Western Theater when all else was going badly for the Union; Jackson, for his record-breaking forced marches and aggressive battlefield strategies; Lee, for his stunning victories in Virginia; Sherman, for the turn-around at Shiloh, and Forrest, for his lightning campaigns and startling successes.  So, with fame based on success, the danger was that if things didn’t go well, you would plummet in public opinion just as rapidly.

Of course, Jackson never lived to face that reality, but Grant, Lee, Sherman, and Forrest all did. When Grant was transferred by Lincoln from the Western Theater to battle Lee’s army in Virginia, he was also promoted to Lieutenant General and made overall commander of the Union armies. The fanfare he met with in Washington was like nothing ever seen on this continent, and yet he said, “Nothing ever fell on me like a wet blanket so much as my promotion to the lieutenant-generalcy.”  He knew the stakes were high.

When Grant took on Lee, the first battles were extremely fierce and bloody, prompting the North to suffer a slight check in Grant-worship. Grant seemed to take this in his stride, saying something to the effect of that he had always said defeating Lee would come at great expense of human life and he didn’t understand why anyone assumed it would be any different.

Lee suffered a severe blow to his pride by the ultimate surrender, of course. It seems like he was never truly blamed by the South for failure in the war. Still, he seemed to have had some degree of difficulty coping with the final result, even finding it impossible to laugh at a joke Grant made to him years later when he visited Grant in the White House. One imagines defeat was made more difficult through world fame.

The extent to which Forrest was personally involved in the event which won him a degree of infamy (the massacre by his troops of the USCT at Fort Pillow) has been debated by historians for more than a century and is beyond the scope of this article.  But history records that he did face an intense level of scrutiny from those who believed he was responsible.  He was the subject of strong denunciation in Northern newspapers, which also began digging into his personal life and that of his family members. Forrest recounted stories of people approaching him in the streets and mobs forming, as well as that of one lady knocking on his hotel door and entering before he was even dressed in order to rebuke him.

Similarly, Sherman’s moral responsibility for the scorched earth tactics in the South are also highly debated and beyond this article’s scope.  He, too, faced immense criticism and rebuke from those on the opposite side.

There was another very tangible danger, too: assassination. People like Lincoln and Grant came to embody in public perception the political causes which they were executing on the battlefield. We all know how this turned out for Lincoln.  Grant was haunted by menacing characters dogging his steps, riding up to his train, and even invading his home during the week of Lincoln’s assassination, and he eventually had to leave Washington. He was rather heedless of the danger, but his faithful group of officers concocted a security plan for his protection.  It was a miracle he survived.

All of this, naturally, inspired the direction in which I took John Thomas’s story. The Navy played a huge role for both sides, often accomplishing the seemingly impossible and acting with a precision common to more modern wars like WWII. There were a few famous naval heroes during the war—Admirals Porter, Foote, and Dahlgren come to mind. I don’t believe they achieved quite the A-lister fame of the generals I have discussed above, but when it came to John Thomas, I thought…why not?

PERSONAL SPOTLIGHT: When Ulysses and Julia Grant travelled to England, they were met with overwhelming crowds.  In Liverpool, an estimated 80,000–100,000 people turned out to see them.  They were even hosted by Queen Victoria for a lavish dinner.  The reception was similar in Egypt, Jerusalem, Greece, Rome, Russia, Austria, Germany, Japan, Vietnam, Burma, Singapore, and Thailand.  The Grants’ tour of the world offers a fascinating snapshot into the global connectedness of the 1870s.  Ron Chernow covers this historical moment spectacularly in Grant, but if you want a shorter read, here is a link to a PBS article on the same.

Grant’s World Tour | American Experience | Official Site | PBS

FOOD FOR THOUGHT: Public interest creates celebrities.  What makes us do it?  Fascination, boredom, curiosity, a desire to stay up with the times?  I was considering as I was writing this article how the combination of so many factors catapulted the most prominent officers of the Civil War to fame. 

Military figures had always held a fascination for the public during wars anyway, partly due to previous centuries’ romanticization of wars. And for the American public, these officers’ decisions were directly affecting their daily lives in a very real way. Civil War celebrities became symbols for causes whether they wanted to be or not, often even when they were just doing their military job and not directly trying to impact public opinion or politics.  Was this unfair?  Or was it healthy, politically speaking, for the public to be able to hold those in power accountable or promote certain platforms through the mighty force of public opinion of celebrities?

ANALYSIS OF PHOTOGRAPH: Take a look at this photo of Grant’s funeral procession in 1885 in New York. 1.5 million people attended. The fame, celebrity, and infamy of Civil War officers was enduring, and, I think, still endures today.

Photo Credit: (Grant Funeral) Project Muse: Project MUSE – “Pageantry of Woe”: The Funeral of Ulysses S. Grant (jhu.edu).

Stop by next time for a look at the rise of insurgent movements after the Civil War.

SOURCES:

William Tecumseh Sherman, by James Lee McDonough

Grant, by Ron Chernow

Bust Hell Wide Open, by Samuel W. Mitcham Jr.

Rebel Yell, by S.C. Gwynne

Clouds of Glory, by Michael Korda

Nathan Bedford Forrest, by Jack Hurst


[1] Grant’s granddaughter even married minor European royalty, which shows the level of A-lister fame these officers were catapulted into.

[2] Horrifying in terms of all of the diseases the population was riddled with and considering she was only six months old.  Jefferson Davis and Jackson’s wife were in the train car, and my initial thought was, “Why are they letting this happen!?”  The mother was upset, but because they were exhausting the baby, not because they were spreading, you know, tuberculosis.  And then I remembered how little was understood in terms of germs.  A very real reminder of why time travel is not something I could ever desire.

Charleston’s Festivals of Freedom

Welcome back to the History Behind the Story Series!  Since Southern Rain was first published, I have been writing a series of articles which give you the background on the events that happened in my books or the historical choices I made when writing them.  There were ten articles in total for Southern Rain, five for Northern Fire, and the following is the first of the four articles that will dig into the history behind Charleston Tides.  Note that there are usually a few spoilers which pertain to the historical aspects of the books. Okay, here we go!

History Behind the Story #1: Charleston’s Festivals of Freedom

THE HISTORY: When I was researching the history of the South in the days and months following the conclusion of the armed hostilities of the Civil War, it seemed like most information pertained to the military or government.  For the ordinary men and women who were either piecing back together lives or starting totally new lives, I fell back on the research which spoke comprehensively about the insurgent movements that got underway really quickly after everyone laid down their weapons.  I originally depicted a lynching in Charleston, knowing that this was something that happened repeatedly in the city in the years after the war.  I was wary of making it seem as though just because slavery had ended peace and equality had been established as well.

Then my sister went to graduate school for Public History at the College of Charleston.  I got a call from her while we were in the revision process of Charleston Tides, and she said, “You’re never going to believe it.”  What she had found was a little-known but huge moment of empowerment for the newly freed men and women of Charleston.  Most of the following history comes from research gleaned from a book called Denmark Vesey’s Garden.

Basically, from February 18, 1865 when Charleston fell until roughly a year later constituted what is known as the Year of Jubilee in Charleston.  A flag raising ceremony at Fort Sumter (a heavily symbolic place) with formerly enslaved people, abolitionists, and military personnel present kicked off a series of great festivals of freedom in which Charleston’s newly freed community celebrated their freedom again and again.  I don’t want to give the impression that this type of open, public celebration was happening all over the South, because it wasn’t.  However, this was possible in Charleston for several reasons.  First, Charleston’s newly freed contingent made up a majority of its population.  The Union military presence was heavy in Charleston. In addition, Charleston was the archetype city for slavery, so when anything involving slavery was happening, the eyes of the country were upon Charleston.

So what exactly was happening during these festivals?  They were elaborate.  There were parades, public speeches, demonstrations, and commemorations. Famous abolitionists often travelled to Charleston to participate. Ten thousand people gathered for one parade at the Citadel Green, the cite of the South Carolina Military Academy’s former parade ground (again, highly symbolic).  It was a massive procession, more than two miles long, even going down the Battery (where fictional Ravenel House is located). There were dignitaries, military personnel, tradesmen, fire companies, freed schoolchildren who were newly enrolled in schools, and many other formerly enslaved people. 

The scene I depicted of the mock slave auction during a parade in Charleston Tides also happened. This demonstration was a satirical statement highlighting the breathtaking barbarity of something that was, in fact, taking place not long before the festivals. The idea was, “Look at these normal, intelligent, capable humans who were sold like cattle just a few months ago.” As I depicted in the book, this reenactment did induce trauma in some women, for whom the memory of losing their children was still too fresh to make satire bearable.

As noted in Charleston Tides, there was indeed a banner carried that read, “We know no masters but ourselves.”  To us, this seems like a normal expression of human rights, but think about how revolutionary this was given the freshness of slavery’s downfall!  Some of the processions included more funereal elements, such as a mock wake to the institution of slavery, or a hearse carrying a coffin labeled “slavery.”  There was singing of songs that were considered very controversial at the time. There was also a float which carried young Black women representing each of the slave states.  They wore white dresses and, if the depictions are correct, also crowns, these choices being a political statement of purity and status. 

There were lots of ways that the newly freed people of Charleston expressed their freedom and political stances.  One was in the building of the Martyrs of the Race Course Cemetery, which I also discuss in Charleston Tides.  This was an effort by the freed community to give a proper burial to the 257 Union prisoners of war who were buried in unmarked graves after dying at the prison camp which had been held at Charleston’s Washington Race Course.  I am always hesitant to glorify people, armies, or causes in my books because history is simply too fraught and complicated to allow exaltation to be entirely truthful.  But I felt that depicting this outpouring of support wasn’t glorification for several reasons.

While this was an act of tribute, there were many nuanced reasons the freed community singlehandedly raised all of the money, made all of the plans, and did all of the work in order to make this cemetery happen.  One was that during the time that thousands of men were imprisoned in pitiful conditions at the camp, it was Charleston’s Black community which brought them relief in the form of food, bandages, and medicine, and some risked their lives to do so.  I would imagine that bonds had been created in the process.  In addition, creating the cemetery was a political expression, an alignment with a very personal cause, an expression of support for one side of the war, and another statement that slavery was dead.

Ten thousand people turned out for the dedication of the cemetery on May 1.  Then, it was called “Decoration Day,” but it started a tradition that we know today as Memorial Day.

There had been the strictest of hierarchies before the war. But in the year after the war, the social order in Charleston was turned on its head.  The Union military presence, including United States Colored Troops (USCT), was strong.  Newly freed citizens were now the ones standing guard with guns outside of buildings. White Charlestonians were shut out of the dedication ceremony for the cemetery.  They might find themselves shoved off the sidewalk.   They were held to a strict nightly curfew, once a practice applied to slaves.  There were insults made on the streets, and people who had once held ultimate power were forced by the turning tables to take it lying down, so to speak.  Many were baffled, having been thoroughly inculcated in the belief that the enslaved community had been content and even fond of their masters.  You read genuine confusion in some of the writings from the time, something which shows how thoroughly cultural conditioning can instill ideas that aren’t necessarily grounded in reality.

Ultimately, after several discussions with people in-the-know, I decided to take out the lynching scene I had depicted because in this specific place, in this specific year, it seemed unlikely.[1]  Charleston would, not too much later, become the scene of various tragedies, including lynching.  But for this one year, I do believe that there was a significant power shift, and I think those are as important to discuss as oppression when recounting race history.

The following link is the article which ran in the New-York Daily Tribune on April 4, 1865, from which I believe much of the research in Denmark Vesey’s Garden was pulled.

“A Jubilee of Freedom”: Freed Slaves March in Charleston, South Carolina, March, 1865 (gmu.edu)

PERSONAL SPOTLIGHT: When Charleston fell, various Union troops poured into the city over the course of the next couple of weeks, many of them USCT.  One Black sergeant, John H.W.N. Collins of the 54th Massachusetts, reported, “I saw an old colored woman with a crutch—for she could not walk without one, having served all her life in bondage—who, on seeing us, got so happy that she threw down her crutch, and shouted that the year of Jubilee had come.”  This is a very moving description, depicting sheer joy.  I don’t know if this woman coined “the Year of Jubilee,” a Biblical expression, to apply to this situation or if that was how the enslaved community had referred for many years to the year that would be their liberation.  I love the snapshot into this woman’s life.  She strikes me as someone who had been actively anticipating liberation.  I wonder if she might have been an activist or an encourager within her community.

FOOD FOR THOUGHT: As I read about the Year of Jubilee, I received the impression that the newly freed men and women of Charleston were there to claim their equality, their freedom, even their political enfranchisement.  You can sense the tides of change in the air, the feeling that anything was possible.  There was no Jim Crow yet, the KKK was in its infancy, and the military and government seemed to be on the side of the freedmen.  One article said that “the promise for a bright future was at its zenith in the immediate aftermath of the Civil War.”[2] This makes me wonder…  If a few things had been tweaked, if a few politicians had followed through and made better decisions…could America have fast-forwarded a hundred years in terms of equality?  Maybe this is outlandish, but it doesn’t really seem so when you look closely at the days and months right after the war.  What do you think? Do you think things are inevitable in history, or is every decision important?

ANALYSIS OF PHOTOGRAPH: Sorry that it’s a drawing rather than a photograph! I believe this ran in a newspaper which recounted the events of one of the parades some time after the fact.  This depicts the USCT marching as they sing “John Brown’s Body,” a highly controversial song at the time!  Notice the schoolchildren in the foreground, as well as the burned out shells of Charleston’s buildings in the background.

Photo Credit: Charleston County Public Library, ccpl.org.

Stop by next time for a peek into the fame of Civil War officers!

SOURCES:

Butler, Nic, “The History of Emancipation Day in Charleston,” Charleston County Public Library Website, The History of Emancipation Day in Charleston | Charleston County Public Library (ccpl.org), June 19, 2020.

Kytle, Ethan J. and Blain Roberts, Denmark Vesey’s Garden: Slavery and Memory in the Cradle of the Confederacy, The New Press, (New York: April 3, 2018).

Kytle, Ethan J. and Blain Roberts, “When Freedom Came to Charleston,” The New York Times Opinionator Blog, When Freedom Came to Charleston – The New York Times (nytimes.com), February 19, 2015.


[1] Of course, I’m not saying that by any means it was impossible.  I could not find specific instances, but the failure to find specific instances doesn’t mean that it absolutely never happened, as we have discussed in previous posts.

[2] “The History of Emancipation Day in Charleston.”

Charleston Tides Releases Today!

Charleston Tides releases today! I am so excited to share the culmination of this series with my readers, who have been the best readers a writer could ask for! Here’s to three books, the end of a series, and new beginnings!

Read the synopsis and then click the link below to download your Kindle or order your paperback! Also, the book is free on KU!

Charleston, Modern Day:

Adeline Miller-Ravenel came to Charleston to restore a historic Battery Street mansion. She never expected her ties in the city to run so deep or her decisions to be so difficult. With her reason for staying drawing to a close, she is torn between making the sensible choice and following the promptings of her heart.

Charleston, 1865:

The war is over, and Charleston lies in ruins. In a world quickly changing, Shannon Haley must piece together the fragments of her marriage and former life. Her journey will plunge her deep into the heart of Reconstruction and into the highest stakes for the fate of a nation and her own future.

Charleston Tides is the final book in the Torn Asunder Series. It is the poignant culmination of great emotions, fears, trials, and triumphs for the characters of the series, both modern and historical.

Charleston Tides (Torn Asunder Series Book 3) – Kindle edition by Cowan, Tara. Literature & Fiction Kindle eBooks @ Amazon.com.

Charleston Tides Release Date

The release date for Charleston Tides has been set! February 12, you will be able to order the book in paperback or Kindle formats from Amazon. Preorder is available now for the Kindle format. Note: if you prefer to order online from Barnes & Noble or Books-A-Million, you will most likely be able to within a month of the release when the book goes to expanded distribution.

Click the link below to preorder your Kindle and have it delivered to your device on February 12!

Charleston Tides (Torn Asunder Series Book 3) – Kindle edition by Cowan, Tara. Literature & Fiction Kindle eBooks @ Amazon.com.

History Behind the Story Series – Charleston Tides

Hello, friends! It’s that time again: the announcement of the articles I will write covering the history behind the story for my next book. This is always a fun announcement because it gives you, the reader, a little sneak peak into the historical framework of the book before the book is released.

This time will be a bit different. There will be three articles, which is less than usual, but the themes were broader in this book. Plus, there will be a special guest post from my sister on an ancillary theme in the book. So without further ado, I give you the History Behind the Story Topics for Charleston Tides!

  1. Festivals of Freedom
  2. Fame of Civil War Officers
  3. Violence Against Freedmen and the Rise of Insurgent Movements
  4. Special Guest Post: Elite Free Blacks in Charleston

Q&A: Charleston Tides

Hello again, friends!  The third book of the Torn Asunder Series will be available soon! To celebrate, here is a Q&A about Charleston Tides.  Some questions are about the book, some are about writing in general, and some are about me! (Just a word of caution, if you haven’t yet read Southern Rain and Northern Fire, there might be a few spoilers for those two books. However, there shouldn’t be any spoilers for Charleston Tides, and I encourage you to read the Q&A before you read the third and final book of the series.) Here we go!

Q: Which was your favorite storyline: modern or historical?

A:  I think more about the historical, but if I had to choose, it would be the modern.  I love the coastal feeling of it, and there can be something sort of magical about a contemporary tale.  The chemistry between Adrian and Adeline was always compelling for me.

Q: Do you think the modern and historical storylines overlap?

A:  I do!  There is something almost indefinable that binds the two stories together.  I have had several people tell me that they feel a close link between Shannon and Adeline.  There are several ways their stories intertwine: relationships that began quickly, the complications of parenthood or its void, fear of the uncertainties of love… There are several more, but for me, the strongest thing was that there was always something similar in the mood and tone of the two stories.  And of course, there is the house, which is the same setting for both stories for a large portion of the series; Ravenel-Thompson House is almost a character in itself!

Q: Do you have a favorite moment in the series thus far?

A:  I really liked the brief vacation to Sullivan’s Island that Adeline, Adrian, and Jude take in Northern Fire.  I also enjoy the moment that Shannon finds out it is John Thomas on the ship in Northern Fire!

Q: Are any of your characters based on people in real life?

A:  Nope!  I’ve always heard all of the fun stories about Jane Austen including her quirky neighbors and friends in her books, and I think: she could never get away with this in the South!  Part of the joy of writing to me is the creation level of it.  I don’t think it would be very fun to pattern characters after people I know because it would turn into mimicry, which takes the creative process out of it.[1]

Q: What kind of music would your main characters listen to?

A:  I think Adrian listens to Frank Sinatra and Michael Bublé in the series.  Adeline strikes me as a Colbie Callait/Jason Mraz girl, maybe with a little Fleetwood Mac thrown in?  For John Thomas and Shannon… I don’t know: Schubert? Chopin? Tchaikovsky? 😉

Q: What was the most difficult to write about Shannon?

A:  She has a bit of a crazy side. We all do, though, so that’s okay! Her character very much begged me to let her spiral, and I had to do several rewrites just to calm her down. She also has this deceptive air of retiring fragility, coupled with a very powerful mind, and you’re like: Who are you? I finally realized that she was just that: a very feminine, very intelligent woman, who had been taught (and rather liked) to appear weak, while also being strong-willed. That made her very elusive as a character. A lot of readers actually don’t like Shannon, and some sort of state it as a criticism. The thing is, you aren’t necessarily supposed to like Shannon at first. She’s very self-centered and very flawed. The series is partially her journey of setting aside the things of the past, of childhood, and emerging into adulthood and peace. But that doesn’t mean you’ll always like her. And that’s hard for me, too. I like characters who always make responsible decisions!

Q: We left Shannon on the ship, asking John Thomas to take her back.  Should we expect to see him do so with open arms?

A: I struggled with determining how he would react to her leaving.  My sister (plot doctor extraordinaire) said, “The one thing I do not want you to do is have him beg her to come back.” I agreed.  It was a tricky situation all around.  I don’t want to give too much away, but basically, there is nothing simple about their reunion!

Q: What would you say this series is “about?”

A:  Probably most prominently, women—their trials, internal and external, and how they overcome them. 

Specifically, too, women in the Civil War.  There is a tendency in war novels and history to make it appear as if little of the burden fell upon women, as if they had minimal roles in the play at all.  No one can deny the huge burden that did fall upon men—something to the tune of 750,000 deaths… But at least 50,000 civilians died violent deaths during the war, many of them women.  And that’s setting aside deaths that women had always faced from childbearing, etc.  They were actively engaged, actively facing the consequences of political decisions, and living in a country at war. Women faced hardship from every possible front during the war.

Shannon loses three people dear to her.  I specifically wanted them all to be women.  Two died from illnesses related to womanhood and one, Phoebe, from violence.  I wanted to portray that this was a woman’s war, too, and also that women of this time had been at war, so to speak, before the battles ever began.

Q: I have noticed that your blog is non-political, but there is a lot of discussion of political parties in the historical part of the series, particularly Charleston Tides.  Should we expect any correlation to modern parties?

A:  The short answer is no. 

The long answer: it would be really tough to write about the Civil War without exploring the political parties of that day. If you watch the year of 1860, the split was very much a political one, and if you read primary sources, people considered loyalties during the war to be wrapped up in party loyalties.  In the memoirs of John O. Casler, who lived in divided Northern Virginia, he relates that he didn’t know if he could trust a neighbor when he was home on leave. His terminology was: “I didn’t know what his politics were,” meaning that he didn’t know which country or government his neighbor supported during the war.

Do I think there is any correlation to the political parties of today?  Not really.  For the first time during the Civil War we did have our two-party system finally boil down essentially to “Democrats” and “Republicans.”  I have heard some historians say that the Democratic party started with Jefferson, continued with Jackson, the Democrats of the Civil War era, and right up to today, and that the Republican party started with Lincoln and continued until today.  On the other hand, I have heard historians say that the Democratic and Republican parties switched platforms in the early twentieth century. 

I don’t totally buy into either theory.  Trying to match parties and people up across roughly 250 years just doesn’t work.  We tried it in one of my political science classes.  The conventional wisdom through scholarship which traces party history was that Republicans of today should align with Alexander Hamilton and Democrats of today should align with Thomas Jefferson.  Yet, when we read their ideologies aloud, the reaction was overwhelmingly just the opposite. 

Political platforms are, to a large extent, based on current issues and events.  I think that people make parties what they need them to be in their own time, based on the world as they find it in their era. You can trace certain roots of party heirship and ideology to the past but not in any way that deeply affects platforms of today, or that is particularly traceable in a two-dimensional, two-party way.

So when I’m talking about “Democrats” or “Republicans,” in the series, I am talking about the parties just as they were in the 1860s, nothing more. I do not find anachronistic historical fiction that projects modern politics over historical events to be particularly compelling.

Q: Was there anything that really surprised you over the course of your research about the Civil War?

A:  I originally shied away from the Civil War because it was such a terrible conflict.  The more I know about it, the more terrible I find it to be!  The sheer number of deaths, the battles, the diseases, the violence, the hardships, the starvation, the fear…  I think much of this is true for most people involved, North and South, enslaved and free.  It’s hard for us to imagine that a war of this magnitude happened during the Victorian Era.  I keep thinking there will be a way to make sense of it all, but it just gets more horrific the more I read about it. 

On a more optimistic note… There is some really fascinating history about the newly freed men and women of Charleston in the year after the Civil War.  My sister, who is in grad school for Public History at the College of Charleston, helped me with this research.  1865-1866 was a huge moment of empowerment for formerly enslaved communities in Charleston.  This was something I was not expecting.  If I had been writing without the research, I would have portrayed it very differently.  I think you’re going to enjoy reading about this history in Charleston Tides!

Q: Has there been any reader feedback which surprised you?

A:   One thing that has been kind of funny is a generation split about Adeline’s situation.  My younger readers think she’s totally on the right track: she needs to be cautious, take her time, not trust too easily…  But my older readers get so frustrated with her: Why can’t she see Adrian’s a good boy?  Why can’t she just make the leap already?  I love these sorts of conversations!  They’re things you would never think about as you’re writing.

Q: Does being lawyer impact you as a writer, or vice-versa?

A:  Well, just from a thousand-foot level, being a lawyer takes up most of my time.  My clients come first, so writing has to happen once everything is finished at work.

But as far as the two jobs sort of feeding each other…  At first, being a writer made legal writing a little tough.  In creative writing, you get to be flowy and wordy, whereas in legal writing you have to be concise and to-the-point with short sentences and paragraphs.  But when you think about line edits and trying to convey clarity to your readers, my legal training is something that is helpful to fall back on.

My writing is also the thing I do that keeps my life balanced.  The legal profession is notoriously stressful from day one in law school until retirement.  But with writing, I have this sort of creative or imaginative outlet that gives me a release and keeps everything in perspective.

Q:  Is there anyone who has been especially helpful to you in the course of publishing the Torn Asunder Series?

A:  My hometown and my friends and family have been a huge encouragement.  I don’t know if it’s just because they’re incredibly kind people or if the themes really resonated because we’re from the same place, but they have been so loving and have said all of the things that any writer really needs to hear.  So, to the people closest to me… Thank you, from the bottom of my heart!

Q: Where do you plan to take us next—a new series, a stand-alone, modern, historical?

A:   I am definitely taking you somewhere—that’s about all I can tell you!  I have several completed manuscripts, and it’s a matter of choosing which one to run with next.  I am going to take a few months just to regroup, start the editing process, and make sure that I get you the best finished product I can!  I will post updates periodically on my blog, so stay tuned!

And thank you, Dear Readers, for taking this journey with these characters!  It has been a fun ride, and I can’t wait for the next one!


[1] I do bend my rule just slightly and sometimes draw inspiration from real life for characters who are children because children are really easy to get wrong in writing.