Character Pictures

I ran a poll on my Instagram story as to whether readers like to see the pictures or portraits which inspired characters or whether they instead like to imagine characters for themselves.  As of writing this post, the post is at 70% for seeing the pictures and 30% for imagining.

I have had experiences in which it was super fun to see the author’s inspirations.  I’ve also had experiences in which the author’s imagination and mine were so different that I was a little thrown off!  So my Instagram friend Tammi suggested that I post the pictures I used for my characters on my blog so that people who don’t want to see them don’t have to. I thought that was a great idea.

So just be forewarned… Pictures will follow for my character inspirations.  You can quit reading now if you want to, and I won’t be offended. 😉

One more a caveat: these pictures are really sketchy.  It’s been so long since I first saved them that I have no idea where they came from or who the people are.  One was pulled from an ad for a legal research site.  LOL!  So I credit the pictures to their owners, whoever they may be!

Okay, without further ado, here are my inspirations…

Shannon:

Shannon

John Thomas:

John Thomas.PNG

Frederick Ravenel:

Frederick

Marie Ravenel:

Marie

Where are the modern people, you might ask?  I actually left Adrian entirely to my imagination and didn’t base his appearance off of a picture.  Adeline was kind of the same way.   I also left most all of the side characters to my imagination, too.

Occasionally, though, I will see someone, either on TV or in real life who reminds me of a character, and that’s always fun.  There was a contestant from Season 2 of the Great American Baking Show of whom I remember thinking, “Oh, hey, she looks a lot like Adeline!”  Her name was Amanda Faber.  I remember that she was a great baker!  LOL!

If you are a writer, do you ever meet your characters in real life, either in appearance or personality?  If you are a reader, have you ever imagined someone totally differently from the author?  Do any of the pictures above represent my characters as you imagined?  I’d love to hear from you!

 

 

Q & A: Northern Fire

Hello again, friends! My sister, Hannah, and I sat down for a Q&A about Northern Fire, and I have also included some questions from some wonderful readers. Some are about the book, some are about writing in general, and some are about me! (Just a word of caution, if you haven’t yet read Southern Rain, there might be a few spoilers for that one! However, there shouldn’t be any spoilers for Northern Fire, and I encourage you to read the Q&A before you read it.) Here we go!

Hannah: What was the inspiration for Northern Fire? Was it hard to narrow down your ideas?

Tara: It’s all very hazy now, but I think the inspiration for the Torn Asunder Series came to me while I was taking a walk during my two-month intense isolation/study time for the Bar Exam. I had this idea for this historical heroine who leaves her husband, an absolutely shocking thing for the Civil War Era, and I really wanted to know how that would play out. Hmm, could I pair it with this modern storyline about a preservationist that had been floating in my head? Yes, I could! It’s not usually hard to narrow down your ideas because something always comes to you passionately and has to get out.

Hannah: What kind of audience do you expect to read Northern Fire?

Tara: The tendency is to say women who love Historical Fiction/Romance, but several men have read and liked Southern Rain, too. I think, between the history, the modern romance, and the Women’s Fiction dimension, there is something for everybody. I will refer you to the Q&A for Southern Rain for information about young readers/parents’ discretion, which can be found in its own special tab on my blog at http://www.teaandrebellion.com. As always, you can contact me if you have any questions.

Hannah: What should the reader know going into Northern Fire?

Tara: I think I always underestimated the series, in that, whether modern or historical, I thought it was going to be lighter than it was. There are some heavy topics, which may be difficult for some people. There are a couple of sad scenes and some overarching struggles that may be relatable for a lot of people, in both good and tough ways. I think the advantage of having a book that tends towards heaviness is that, wherever there is pain, there is also a lot of depth.

Hannah: How do you deal with difficult subjects? How do you strike the balance of far enough/too far?

Tara: It’s sometimes hard to know how much is too far. I have learned that a good rule of thumb for me is that if something makes me uncomfortable, I should probably take it a step further even from there and push the boundaries a little bit to experience the truth of the story. When a book does tend towards heaviness, the great balancer is always hope. Human life is so difficult, but there is such beauty in it, too. It’s important not to overlook either.

So many readers: Why don’t you just give Shannon and John Thomas a baby already?!

Tara: So sorry! This is probably the number one question I have gotten. It’s touching that everyone is so worried about their happiness. When I first started reading clean historical romance about twelve years ago, I found some truly talented authors, and many of those books have beloved spots on my shelves. But I noticed a recurring structure: boy meets girl, usual struggles ensue, they get together, happy ending equals healthy baby. That didn’t quite ring true to me. Historically speaking, a lot of couples struggled in conceiving (George and Martha Washington, James and Dolley Madison, Andrew and Rachel Jackson) or in carrying to term (Louisa Catherine Adams, Mary Church Terrell). Sometimes the mother died from something as simple as severe morning sickness during the pregnancy (Charlotte Brontë). If you could have a baby, the birth was an extreme ordeal for which you could thank God if both mother and child survived (Stonewall Jackson’s first wife died from a hemorrhage just after giving birth, and their child was stillborn). Lots of men had two families because the first wife died in “childbed” (Theodore Roosevelt). Many women made it through the birth only to linger and die from puerperal fever or physical complications (Thomas Jefferson’s wife) days, weeks, or months later. Of course, for those who did not have as many difficulties, families were often large due to lack of effective birth control methods, and I think that is perhaps where the idea that “everyone in history had eight kids” comes from. But even for those large families, it is difficult to think of a historical figure who did not lose a child to a childhood illness. All of that is a long way of saying that I’m not sure the notion, historically speaking, of a happy ending culminating in a modern-type birth where there are no worries quite passes muster. I kind of wanted to represent the full range of historical experiences in this story. Shannon struggles, while Marie has a whiplash-inducing honeymoon baby. And, while I won’t tell you here whether Shannon and John Thomas have a baby, or even whether they reunite (this is all just a matter of plot), I will tell you that their ultimate peace, if they find it, will be in acceptance of whatever situation in which God places them, of themselves just as they are, and of God just as He is, which is what I think we all must find before we can get down to the more trivial business of daily happiness.

Hannah: What do you think it takes to make a strong male character likeable, but also real? Do you think John Thomas and/or Adrian apply?

Tara: My sister and I (ahem) talk about this a lot. For me, a main male character (“MMC”) has to be loyal, and his love cannot waver. He also has to be gentle with the female character, physically speaking—there can be no love where there is any sort of fear. I don’t mind a good argument, but I don’t like a lot of yelling or any verbal abuse. I also like the MMC to be capable and to have a good grasp on his situation. I like to write male characters that you know are good ones, deep down. I don’t think that’s an unrealistic expectation at all (and if it is, we’re better off alone, girls!). Other than that, I think the sky is the limit! I love writing all different sorts of male characters. It’s totally okay for them to have their own struggles. They don’t have to be superheroes. Do John Thomas and Adrian apply to my criteria? Funnily enough, I’ve had several people tell me they don’t trust Adrian yet. So I hope this isn’t a spoiler when I say that: yes, they meet all of my main criteria. I will say that they both surprised me with the depth of their emotion by the end of the series, which I loved.

Hannah: Do you relate to Shannon or Adeline personally?

Tara: I always say that there is a little bit of me in all of my characters. I relate to Adeline’s love for history, desire to keep the peace, and awkwardness. I don’t relate to her laid-back personality, or her ability to not overthink things, unfortunately. I think every human being can relate to Shannon, since she kind of represents the human condition, that knot of tension that grows in all of us from childhood on, through numerous and varying causes. She also represents the choice we have of letting those dark forces overtake us or of overcoming them through the only way I know how—clinging to God.

Hannah: You put a lot of work into side characters. Do you ever wish the main plot had followed them instead of your MMC and MFC?

Tara: I know you’re asking this because you love Frederick and Marie. Sometimes, I wish I had made Frederick’s story on equal par with Shannon’s. However, sometimes, there is something enticing about a side-character only when the person is a side character, so I think it worked out fine.

Tammi: What other interests do you have, in addition to history and crafting stories?

Tara: That’s a great question! My day job is a lawyer, and I’m fortunate enough to work with my brother. I do a lot of property law, but my favorite thing to do is estate planning. I read a lot of historical fiction. I watch pretty much any historical drama that comes on Netflix, Amazon Prime, or Hulu. I really enjoy Audible for books that I would love to read but don’t really have time to dig into, like historical biographies and religious/theological books. I have been studying Contemplative Prayer and have found a lot of meaning in learning to listen for God’s voice in new (to me) ways. I love antiquing, particularly buying old furniture. Of course, I absolutely love touring historic homes. I just bought an old house, so there is always something to keep me busy. The History Chicks Podcast and Ben Franklin’s World Podcast have become something I love to have on in the background while I’m cleaning or working in the house.   I like to listen to music and have several playlists on Spotify. I played piano in another life and would like to get back to that soon. I like Royal Watching and follow the “From Berkshire to Buckingham” Instagram page and blog for fun analysis. I love going to plays and am fortunate to have three excellent amateur theaters nearby. I’ve recently gotten back into shopping/fashion in an effort to step up my wardrobe. And I have been dieting for about four years now and in the course of that have picked up a lot of healthy eating habits, so I’m always looking for great vegetarian or organic options.

Josette: What is your favorite historical book?

Tara: I always have trouble narrowing this down because I love so many. For historical fiction, I’ll have to give you four, loosely in order of my preference: A Bride Most Begrudging, by Deeanne Gist, Bath Tangle by Georgette Heyer, The Silent Governess, by Julie Klassen, and America’s First Daughter, by Laura Kamoie and Stephanie Dray. For books that were written in historical times, I would have to say: Persuasion, by Jane Austen, The Tenant of Wildfell Hall, by Anne Brontë, and The Blue Castle, by L.M. Montgomery.

But if I had to pick an absolute favorite, that would probably be A Bride Most Begrudging. I’ve read it so many times, expecting it to disappoint as I get older, but it never does.

Tammi: Do you listen to music while you write?

Tara: I make a playlist on Spotify for every book or series. Sometimes I listen, and sometimes I prefer silence. I always play a song which I’ve chosen as a kind of theme for the book when I write the last scene and just push replay over and over until the scene is finished. I really like music with choir or strings and piano. I love The Piano Guys, Scala & Kolacny Brothers, Paul Cardall, Helen Jane Long, and 2Cellos. I had never heard of a lot of them until I started listening to the Scala & Kolacny Brothers Pandora Station (after hearing their music for the Downton Abbey trailers), and now they’re some of my favorites!

Tammi: How much time do you spend writing each day?

Tara: I used to spend about an hour or two writing every day, even while I was in law school. Now, sometimes I’m not able to do that because of eye strain from said law school. So I usually end up writing on the weekends. I like to write in bulk and might write for eight hours one day and none for the next four days. If I’m really feeling inspired and am able, I usually write for about two hours per day.

Tammi: Where do you write?

Tara: In my living room. I like a room with lots of windows and light. I have a desk that I wrote three novels on in college and still sit there sometimes, but I often write on my couch now.

Tammi: How did you become interested in writing historical fiction?

Tara: My mom would bring me home Christian Historical Fiction books that she had bought on the sale shelf at our local Hastings bookstore. I absolutely devoured them (Deeanne Gist, Julie Klassen, Lynn Austin…) One day, I said, “I just love these!” And my mom said, “Why don’t you write one?”

Tammi: When did you start writing?

Tara: When I was seventeen, pretty much right after that conversation with my mom. 🙂 That’s been about eleven years now. My first manuscript was written in a composition notebook and was set in Nineteenth Century England. It was terrible. 🙂

Tammi: When did you develop your love for history?

Tara: My mom was a 5th and 6th grade Social Studies teacher during my childhood, and my dad likes history, too, so my siblings and I grew up in a very history-friendly household. My mom would tell us fascinating historical tidbits. My parents knew how to make history fun, taking us to Washington, D.C. and Charleston when we were little, with the emphasis always on history. I remember one Sunday, they took us (after wrangling us all to church and back, no less!) with the grandparents to Belle Meade Plantation in Nashville. I remember when we walked through the door and the docent directed our attention to the ruby glass above the door. “Pretty,” she said, “but there to serve no other purpose than displaying the Harding family’s wealth.” Me: Oooh. My brother and I found that fascinating. Then came the time for the trip down to the mausoleum. (I should note that in Middle Tennessee, mourning customs were heavily followed and are always a huge part of most any tour.) I was petrified. I was not going down there. Luckily, my grandpa felt the same. Skirting the cooling pad (yes, where they laid out the bodies—it was just lying in the hall, for crying out loud!), he found a bench and said, “Sissy, I think I’m going to sit right here.” My response: “Me, too, Pa!” That trip is one of my fondest childhood memories.

Matthew M.: How did you get interested in the American Civil War?

Tara: I actually started out with an aversion to the Civil War. I always liked history, but I remember looking at pictures of the battles in my 5th grade textbook and feeling horrified. I kind of stayed away from the Civil War until I needed to fulfill my history credits at Tennessee Tech, and one of Tech’s history professors was teaching his nearly-famous course on the Civil War and Reconstruction. He really brought the Civil War alive for us. It was an intensive course, with multiple books, articles, papers, etc., and we were required to learn battle movements and plans for all of the major battles and recite them in narratives on our tests. We covered all aspects—the home front, the lives of the enslaved, theories that developed in the post-war era… After that, I wrote a series which follows several siblings in Civil War Era Virginia. I think setting a family drama in that era and researching minute details for so long is what finally tipped me over the edge for the Civil War. The opportunities for drama are boundless, the range of human emotions breath-taking. We see the best and worst of humanity, and, as an author, that’s exciting to explore. I realized that if I could get a little braver in dealing with a very tough time period, there was a wellspring of experiences to be discovered and retold!

Matthew M.: Do you use any primary source material for your novels?

Tara: Yes, I absolutely love getting my hands on a letter which gives special insight to the time period. You can find some great letters in online archives, and I have a book called War Letters: Extraordinary Correspondence from American Wars by Andrew Carroll, which has been great. I also find that docents are excellent to read you parts of letters when you tour historic homes. And touring historic homes is something I love to do to get a feel for the time period, and, if it’s close enough to my setting, the place. Seeing an antique from the time period can really ground you in the era, too. I also read diaries and recipes from the era, and I look at a lot of photos or portraits for the fashion.

Reaching out beyond that, I also look at scholarly works or biographies. For the Torn Asunder Series, some of the books I read in preparation were:

At the Precipice, by Shearer Davis Bowman
The Civil War at Sea, by Craig L. Symonds
An Antebellum Plantation Household, by Anne Sinkler Whaley LeClercq
Grant, by Ron Chernow

Hannah: Not all authors enjoy the subjects of their own books. Would you devour this one?

Tara: I would read it, yes, and I think I would enjoy it. I have written other books that are more to my taste. I think this one is geared more towards my sister’s taste (wink). But there is, I hope, always an element that I strive to put in my books that makes you want to keep reading or read the next one. Can I tell you a secret? There’s another cliffhanger in Northern Fire! Gotta run now before readers attack me!

Stop by the Southern Rain FAQ Page for some more questions answered about the series and my writing in general. As always, if you have any questions, feel free to contact me!

Northern Fire – First Details Revealed!

Book 2 of the Torn Asunder Series: Northern Fire – First Details Revealed!

Since Southern Rain was published in September 2019, the No. 1 question we have gotten is: “When will the next book be out?” I’m happy to say that Northern Fire will be available in the Late Spring of 2020!

Northern Fire was intended to be a sequel in a two-book series. However, ever since I conceptualized the story arc for this series, I knew there would be some difficulties determining the number of books in the series. So I just decided to write the story in its entirety as if it were going to be only one book and see how it worked out.

A few technical difficulties arose: the historical storyline took such a different path halfway through that it felt like it should be two books, while simultaneously the modern storyline was skipping along happily as one succinct-feeling book (the trouble with dual storylines!). But the biggest problem was the word count. The No. 1 complaint I have gotten about Southern Rain is that it is so big, which has me continually smiling since I’m a nerd who loves big books. But even trimmed down significantly, Northern Fire was finishing out at about 30,000 words more than Southern Rain.

So, with a wince of apology, I gave the behemoth to my sister, who is always my first reader, and told her to fix it. You can find ways to trim it down, right? – Okay, bye!

So she put on her harshest critic’s hat and set about finding scenes to shear. Her response was that we didn’t need to change a single thing. Nothing could go. Everything was necessary to tell the story in its full capacity. And we’re agreed that it has to be divided into two books, right? – Okay bye!

My sister, who has been my first reader and first editor for nearly ten years, has absolutely never led me astray in literary matters, and I knew I should trust her instincts. So there you have it! You will be getting two books, both roughly consisting of 70,000 words, rather than one book consisting of roughly 140,000 words. This will make Books 2 and 3 a little smaller than Southern Rain, but I’m guessing that won’t be a negative for most!

So what will the books cover? I don’t want to give anything away, since we haven’t developed the official blurbs yet, but here is the time frame:

Southern Rain covered:

Historical: October 1859 – November 1861
Modern: A few months

Northern Fire will cover:

Historical: December 1861 – April 1865 (roughly the end of the war)
Modern: The next few months

Book 3 (Title to be released at a later date) will cover:

Historical: April 1865 – November 1867 (well into Reconstruction)
Modern: The next few months

We’ll be releasing the blurb for Northern Fire soon and revealing more information over the coming weeks and months. In addition, we’ll be doing an FAQ interview for Northern Fire to follow up on our FAQ interview for Southern Rain. In the meantime, stay tuned! We’ll be giving a release date for Northern Fire soon!

-Tara

History Behind the Story Series

To celebrate the release of Southern Rain tomorrow, I am launching a series of fun articles dealing with the history behind the story.  I thought it might be fun to look at some the circumstances that molded the plot lines for the book and give you an opportunity to ask any historical questions you might have.  Right now, I’ll give the list of topics I’m planning to cover.  Let me know if there’s a topic you would like to see that isn’t mentioned, and I’ll cover it, too!

  1. French Huguenots in South Carolina
  2. Enslaved People of the Lowcountry
  3. Fashion on the Brink of the Civil War
  4. Societal Rules and Quirky Charleston Customs
  5. Kissing Cousins – Did People Really Marry Their First Cousins?
  6. A Break-down in Civilities – Rhetoric Before the War
  7. The Congregationalist Church in New England
  8. Abolition in New England
  9. The Navy Before the Civil War
  10. Rose O’Neal Greenhow

Southern Rain: Q & A Time!

Hello, friends! I thought it would be fun to conduct an interview before the release of my upcoming novel, Southern Rain. My sister, Hannah (long-time first reader, long-suffering sounding board, and editor-extraordinaire), has compiled a list of questions, and you’ll see a few others which were asked by friends! Do you have any questions? Ask them in the comments or send me a DM on Instagram, and I’ll answer that, too! Happy reading!

Hannah: Charleston is a great setting. Is this typical for you?
Tara:  Yes! My books are set all over the South. I try to pick locations which best suit the characters and storylines, so you’ll find a variety of settings in my books, some in amazing cities and some very rural.

Hannah: Do you relate to your main characters?
Tara: Hmm, that’s a tough one! I’m very different from Adrian, but his family kind of reminds me of mine, and we’re both vegetarians! Adeline is much more laid-back than I am, but any time she’s feeling awkward, you can be sure I’m channeling myself (or my sister!)! I admire John Thomas very much as a character, so he’s maybe more aspirational. And with Shannon, there’s a strong front which covers a lot of fear, and I think we can all relate to that.

Hannah: Are any aspects of the stories based on your own experiences?
Tara: I would like to say that I went to Charleston and met a handsome stranger, but alas… 😉 For the most part, no, the stories aren’t based on my own experiences, except to the extent they draw on human emotions.

Hannah: What themes should readers expect from this novel?
Tara: I think courage versus fear, coming of age, and coming to terms with our past as the future is kind of thrust upon us are a few. And of course, love! (And all of its complications…)

Hannah: What makes your books good?
Tara: Basically, I write what I want to read. I seek out elements that have you page-turning and try to channel that throughout the whole book. Now, opinions might differ, but what makes a really good book to me is one that focuses on the subtleties of human emotions, possesses lightning chemistry between characters, has the occasional spontaneity, and deals with real-life issues, or at least feelings to which we can all relate. I deeply believe in humor, just as much as I believe in dealing with difficult topics with seriousness and empathy, since both are a reflection of real life, at least for me.

Hannah: Do you conduct research for the historical parts?
Tara: I like to read books or articles for the details that make a story feel more realistic or grounded to the era. I also visit historic sites like house museums or battlefields. Those can help you with the feeling you need to create. I’m bad with dates and easily forget specifics, so I always have a timeline pulled up on my laptop.

Marisa: When did your love for the South and the Civil War Era begin, and what caused you to become fascinated with that time period?
Tara: My mom was a 5th and 6th grade history teacher while I was growing up, and she was the BEST at inspiring kids to have a love for history. But funnily enough, I started out with an aversion to the Civil War. I adored history but remember looking at pictures of the battles in our textbook and feeling horrified. All those lives lost, the country ripping apart, and so many desperate stories. There was a happy ending (the end of slavery), but there were a lot of sad stories surrounding the freedmen’s lives, too, and I guess I was just too tender-hearted to make the Civil War Era my focus.
Until… I needed to fulfill my history credits at Tennessee Tech, and one of Tech’s fabulous history professors was teaching his nearly famous course on the Civil War and Reconstruction. I thought, “Well, I hate the Civil War, but it’s history, which is better than, you know, Algebra, so I’ll take it.”
He really brought the Civil War alive for us. It was an intensive course, with multiple books, articles, papers, etc., and we were required to learn battle movements and plans for all of the major battles and recite them in narratives on our tests. We covered all aspects– the home front, the lives of the enslaved, theories that developed in the post-war era… It was really a wonderful course, but I still wasn’t sold.
Then I got a Civil War story idea while touring a plantation in Murfreesboro, Tennessee. (This was several years ago, and a different story from Southern Rain.) While I was writing it, I would tell people, “This isn’t my kind of book. I hate the Civil War. Why am I writing this?” But when I was finished, my sister sat down and read it in one sitting, and I began to see the possibilities.
After that, I wrote a series which follows several siblings in Civil War Era Virginia (which I hope to publish once the Torn Asunder series is complete!). The Virginia series is my favorite thing I’ve ever written, and I think setting a family drama in that era and researching minute details for so long is what finally sparked my fascination with the Civil War. The opportunities for drama are boundless in the Civil War, the range of human emotions breath-taking. We see the best and worst of humanity, and, as an author, that’s exciting to explore. I realized that if I could get a little braver in dealing with a very tough time period, there was a wellspring of experiences to be discovered and retold.
And as for my love for the South– I’m Southern-born and bred, so that helps! There is a lot of rich culture in the South which is fun to dig into. But mostly, I really wanted to write characters who resonated from my experience. And, for me at least, that meant sticking close to home. But my historical male lead in Southern Rain is Massachusetts-born and bred, which I loved, so you never know where I might take you in the future! (P.S. Marisa, I gave you a really long answer – sorry! 🙂 )

Hannah: How do you (or do you?) stay unattached/unbiased in historic movements or historical characters’ moral actions?
Tara: So much of what our historical characters do or believe can be mind-boggling or even morally wrong to our modern eyes. So the writer has two choices: tell the story like it would have been or sugar-coat the past. That’s not always an easy decision to make, but for the most part, I try to tell the truth. It seems like the best course, and largely, I think that’s the reason readers of Historical Fiction pick up a book: to be transported to another time and place and maybe learn something along the way. For the big questions of morality, I let the peers of the characters judge them as they would have during the time period in question. An example would be Lydia Bennett being engraved on our memories as a flighty girl because everyone in the Regency Era would have said so. A more modern pen might have taken a more sympathetic look at the full picture (she was young, her father was absent-minded, her mother was driving her to be married, etc.) and ultimately ended on a more forgiving note that really wouldn’t have been accurate to the Regency Era. But we want that accuracy as readers of Historical Fiction, or otherwise, we would be reading modern books. Slavery is the obvious example from Southern Rain, and, of course, it takes everything within the modern author not to be heavy-handed with the message, “This is an affront to human dignity!” But I think the facts send that message more effectively, so I try (try!) to take my emotions out of it and let the story tell itself.

Hannah: Did anything in this book challenge you or take you out of your comfort zone?
Tara: Yes! This is the hardest book I have ever written for reasons too numerous to undertake, but largely because the chemistry between the two main couples was delicate, and I kept smashing it and having to fix it. As for my comfort zone, two things immediately come to mind. 1) There were some storylines dealing with feminine health, and proper Southern ladies don’t talk about that. (Okay, I’m seeing that that is funny now and will try to get over my missishness.) 2) There was a storyline which felt a little too edgy for me, definitely out of my comfort zone, but when I prayed about it, I got an enthusiastic, “Yes, go for it!” So, yeah… Sometimes, you just take a leap of faith!

Hannah: What distinguishes you from other historical/romance authors?
Tara: I find that the publishing world pushes authors to write what is called high-concept. Basically, that means you have a cute story hook that will propel the whole story. (Example: With one month left until the big baking competition, Chef Laura is on a mission to find the perfect cake. The only problem is that so is her chief rival, Chef Tom. Will love ensue as they work toward their goal?) On the other end of the spectrum, you have full-fledged literature, which I call high-brow. Those are great, too, and they look deeply at the questions of life and humanity. But my favorite kind of book is those which pull some elements from both: the readable quality of high concept with the depth of literature. So I call my writing style middle-brow: enjoyable reading with a dose of grounded reality.

Hannah: Do you write Christian Fiction or General Market?
Tara:  I would say General Market. I am a Christian, and you will always find Christian elements in my books. I have always tried to be sensitive to whether I am called to write on the Christian market, because I do think that is a calling. I love Christian fiction (a good 70% of my shelves are filled with it!), and really, my books could, for the most part, sit on a Christian Fiction shelf and not be out of place. However, one day, I was gearing up to enter a Christian contest, which, if won, could offer a very lucrative deal. I was plowing ahead, mind you, no prayer involved, or at least only minimal reflection (anyone else have this tendency?). I spent hours formatting my submission to the guidelines, writing a cover letter, proof-reading with a fine-tooth comb… Only to feel, at the last minute, right before I hit “submit,” that unmistakable pull that said, “Don’t do that.” And of course, when we feel that, obedience is always the best course. I closed my laptop, and that was that. So, for the time being, I feel led to market to a broader audience.

Hannah: What age group or audience do you target?
Tara: I think there’s something for everyone in my writing. As far as age – I do deal with some heavy topics: emotions and sin and life and the fall-out from all of that which reflects the human experience. There is romance, but it’s more of a camera panning away variety than a panoramic view. There are a few (as we say in the South!) cuss words because, á la Rhett Butler, there are times when, “Frankly, my dear, I don’t give a darn!” just doesn’t cut it. Would I have let my sister read it when she was a young teen? Yes, even though I was a helicopter-older sister about what she read. But I would encourage parents to read first and then make that decision on their own, since everyone feels differently. And, as always, if there are any questions, just contact me, and I will be happy to answer!

Hannah: Why did you choose this book – out of all your completed manuscripts – to be the first published book?
Tara: Well, the simple answer is that I felt led to do so. I have other manuscripts which I would have felt more comfortable putting out there, but I felt that pull with Southern Rain, and I am trusting that God has a plan!

Hannah: What do you hope the reader gets from this novel?
Tara: This is a little hard because Southern Rain is part of a three-book series, which I kind of see as one unit. So you may not see the whole picture when you end the first book, but I’m thinking you will by the third. And I don’t want to give anything away, so I’ll just say generally that several themes do present themselves, and I think you’ll see them. If you don’t, that’s fine: reading is all about what the reader gets from the book, not what the writer intends.

Hannah: What font do you write in? It says a lot about a person. 😉
Tara:  Calibri (Body) 11. I know, so lame. But I love it. No, I’m kidding, it’s just what auto-filled to my Word document, and I got really used to looking at it and couldn’t change when I tried.

Kelly: What is the one book that you’ll read again and again?
Tara: Can I pick two? A Bride Most Begrudging by Deeanne Gist and Bath Tangle by Georgette Heyer.

Kelly: On a Friday night, what would we find you doing?
Tara: I’ll usually be watching something on Amazon or Netflix while eating Chipotle. After that, I usually turn the TV off and write if the muses are speaking or read if my eyes aren’t too tired from work. Or sometimes I go and stay with my mom, and we chat and watch British mysteries!

Hannah: What types of books can we expect to see from you in the future?
Tara: Of course, there will be two more books in the Torn Asunder Series, which will be available in the Spring of ’20. After that, like I mentioned above, we’ll be sticking in the Civil War Era (unless something changes!) with a three-book series set in Appomattox, Virginia, which focuses on five siblings and their experiences in life, loss, and love during the Civil War. After that, we might visit Jacksonian America for a family drama, revisit the Civil War, or maybe something modern– who can tell? I’d love to hear readers’ thoughts as we go!

Again, if there’s anything you’d like to ask me, just fire away! Hope you enjoyed the interview!

Release Date: Southern Rain

Hello, friends!  My first novel, Southern Rain, will be published September 13.  I can’t wait to share it with you! Here’s the synopsis:

Charleston, Modern Day
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Adeline Miller, a preservationist, gets a call from a Charleston psychiatrist who wants her to restore his Battery Street mansion to its former glory. Thinking this might be her big break, she relocates to Charleston, moves into the third floor of the mansion, and gets to work. As she begins to discover secrets from the past about the family who once lived there, her future begins to get a lot more complicated than she ever expected.

Charleston, 1859
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Shannon Ravenel, the daughter of wealthy rice planter King Ravenel, is destined to marry into South Carolina’s elite planting class. That conclusion is thrown into question when her brother brings home his friend from the Naval Academy, Massachusetts-bred John Thomas Haley. Love aside, can a planter’s daughter and an abolitionist’s son forge a future in a nation that is ripping apart at the seams, or does fate have other plans for both?

Available on amazon.com in both paperback and Kindle formats September 13.
P.S. The Kindle format is already up for preorder!  Here’s the link:

Hiding Your Light

All of my life I have been shy.  I would be asked, “Would you like to do this?”  My response: “Sure, I’d love to do any behind-the-scenes work you have! Cooking, cleaning, crafting – I’m on it!”  I never even imagined taking the lead – leading the Bible study, being the group President, deciding the angle for a case  in law school – even if I was the most qualified, the most capable, had the best vision.  It actually never crossed my mind.

Until I started to grow with God and He began to challenge me.  The first way was in baring my soul in a tell-all letter to the class a year junior to mine about my experience with growing with God during the period leading up to taking the bar exam.  The words began spilling out of me, raw and real, revealing long-held secrets and things kept private because I felt they were either embarrassing or shameful.  It felt wrong to be vocal.  It felt un-classy.  It felt like I had ripped my heart wide open and laid it on the table for all to see.  Only my conviction that God had called me to do it forced me to hand it over.  And of course, the response was overwhelming.  It helped people.  God had planned it.  It was meant to be.  And it made me wonder what else I had missed out on.  What other plans God had for me because I was an under-the-radar kind of gal.

I’m not saying there’s anything wrong with being quiet or doing behind-the-scenes work, and I’m certainly not advocating for pushiness.  I’m simply saying that there are certain gifts that God has given you, and that, at least in those areas, you are supposed to spread you wings and let the fullness of what He has given you, of what he has called you to be, take root, or so I am learning.

The way this has currently manifested itself in my life is that I am on the brink of publishing my first book and I didn’t even want to advertise.  I didn’t want anyone to know I write.  It almost kept me from pursuing publishing at all.  Bare my soul to the world, reveal my inmost thoughts- bah!  I had refused for years even to have a personal Instagram page and had recently deleted my personal Facebook page.  And then one night, as clear as anything, I felt that God wanted me to start an Instagram for my writing.  Puke.  It made me want to puke.  Me, promoting my blogs, sharing travel thoughts, literary musings, and news about my books?  Never, never, never.  Set aside the idea that if I could imagine something I would like to do with my time, it was precisely that.  It just wasn’t the way I was hard-wired.  But I did it.  And it has turned out really great.  I’m enjoying it, growing in confidence, and revealing my soul to the world one layer at a time.

After the gut-wrenching realization that I needed to post a picture of myself (and doing it, and surviving) the next thing was the decision about whether I would publish my book under my long-used pen name, Juliet Wilkes, or whether I would use my real name.

You see, there are certain advantages to using a pen name.  It’s cool, it’s secretive and…Mark Twain.  Need I say more?  Most writers struggle with being honest in their writing, and that’s a lot easier to do if no one’s ever going to know it’s you.  You can say whatever you like, slip under the radar, lead a secret life.

Only God didn’t want my life to be led in secret.  He didn’t want my talents to be hidden.  They’re not really mine, you see.  He gave them to me to use, for reasons, some of which I know, and some of which are still a mystery to me, but all of which are good.

One day the entire day through, that line from This Little Light of Mine kept playing in my head.  Why did I keep hearing “Don’t hide your light under a bushel” over and over in my head?  It was really helpful, and I found all sorts of ways it might be applicable to my life, but it never occurred to me until I was discussing the question of the day with my sister (whether to use my pen name) that it was directly applicable to that situation.

And so, as soon as realization struck, my decision was made.  The pen name was going to be more of a hindrance than a help, a way to hide when God wanted the piece of him which I can display through my writing to shine.

As for my shyness?  I’m just going to have to get over it.  And I am, with God’s help.  I grow bolder every day.  If you struggle similarly, the greatest help is the conviction that this is what He wants, if you feel it.  Because there’s no arguing with that feeling.  It’s like the adage a child might say: “Mom says.”  Once you accept that and put your trust in Him, it gets a little easier, day by day.

Here’s to letting God shine through us and never hiding who He wants us to be.

-Tara