Review: Spirit Baby

Nina Little’s travelogue-memoir is highly recommended for anyone who is struggling with infertility or anyone who loves someone who is struggling with infertility. But its resonance doesn’t end there. As an insight to Chinese travel, culture, and history, I know of no other book which so comprehensively, respectfully, and authoritatively covers this ground. Every new city or village has its own flavor, which the author brings magically to life.

Little uses her reporter skills to weave a compelling tale, seamlessly travelling between travel journal and a gripping, raw personal tale. For the memoir aspect, the book’s greatest values are its unwavering honesty and its invaluable message: You are not alone.

Spirit Baby is almost literary in its handling of human emotions. Its writing tone reflects its subject’s feelings as we move from heartbreak to hope. You’ll be hooked from Page 1.

Southern Rain: Q & A Time!

Hello, friends! I thought it would be fun to conduct an interview before the release of my upcoming novel, Southern Rain. My sister, Hannah (long-time first reader, long-suffering sounding board, and editor-extraordinaire), has compiled a list of questions, and you’ll see a few others which were asked by friends! Do you have any questions? Ask them in the comments or send me a DM on Instagram, and I’ll answer that, too! Happy reading!

Hannah: Charleston is a great setting. Is this typical for you?
Tara:  Yes! My books are set all over the South. I try to pick locations which best suit the characters and storylines, so you’ll find a variety of settings in my books, some in amazing cities and some very rural.

Hannah: Do you relate to your main characters?
Tara: Hmm, that’s a tough one! I’m very different from Adrian, but his family kind of reminds me of mine, and we’re both vegetarians! Adeline is much more laid-back than I am, but any time she’s feeling awkward, you can be sure I’m channeling myself (or my sister!)! I admire John Thomas very much as a character, so he’s maybe more aspirational. And with Shannon, there’s a strong front which covers a lot of fear, and I think we can all relate to that.

Hannah: Are any aspects of the stories based on your own experiences?
Tara: I would like to say that I went to Charleston and met a handsome stranger, but alas… 😉 For the most part, no, the stories aren’t based on my own experiences, except to the extent they draw on human emotions.

Hannah: What themes should readers expect from this novel?
Tara: I think courage versus fear, coming of age, and coming to terms with our past as the future is kind of thrust upon us are a few. And of course, love! (And all of its complications…)

Hannah: What makes your books good?
Tara: Basically, I write what I want to read. I seek out elements that have you page-turning and try to channel that throughout the whole book. Now, opinions might differ, but what makes a really good book to me is one that focuses on the subtleties of human emotions, possesses lightning chemistry between characters, has the occasional spontaneity, and deals with real-life issues, or at least feelings to which we can all relate. I deeply believe in humor, just as much as I believe in dealing with difficult topics with seriousness and empathy, since both are a reflection of real life, at least for me.

Hannah: Do you conduct research for the historical parts?
Tara: I like to read books or articles for the details that make a story feel more realistic or grounded to the era. I also visit historic sites like house museums or battlefields. Those can help you with the feeling you need to create. I’m bad with dates and easily forget specifics, so I always have a timeline pulled up on my laptop.

Marisa: When did your love for the South and the Civil War Era begin, and what caused you to become fascinated with that time period?
Tara: My mom was a 5th and 6th grade history teacher while I was growing up, and she was the BEST at inspiring kids to have a love for history. But funnily enough, I started out with an aversion to the Civil War. I adored history but remember looking at pictures of the battles in our textbook and feeling horrified. All those lives lost, the country ripping apart, and so many desperate stories. There was a happy ending (the end of slavery), but there were a lot of sad stories surrounding the freedmen’s lives, too, and I guess I was just too tender-hearted to make the Civil War Era my focus.
Until… I needed to fulfill my history credits at Tennessee Tech, and one of Tech’s fabulous history professors was teaching his nearly famous course on the Civil War and Reconstruction. I thought, “Well, I hate the Civil War, but it’s history, which is better than, you know, Algebra, so I’ll take it.”
He really brought the Civil War alive for us. It was an intensive course, with multiple books, articles, papers, etc., and we were required to learn battle movements and plans for all of the major battles and recite them in narratives on our tests. We covered all aspects– the home front, the lives of the enslaved, theories that developed in the post-war era… It was really a wonderful course, but I still wasn’t sold.
Then I got a Civil War story idea while touring a plantation in Murfreesboro, Tennessee. (This was several years ago, and a different story from Southern Rain.) While I was writing it, I would tell people, “This isn’t my kind of book. I hate the Civil War. Why am I writing this?” But when I was finished, my sister sat down and read it in one sitting, and I began to see the possibilities.
After that, I wrote a series which follows several siblings in Civil War Era Virginia (which I hope to publish once the Torn Asunder series is complete!). The Virginia series is my favorite thing I’ve ever written, and I think setting a family drama in that era and researching minute details for so long is what finally sparked my fascination with the Civil War. The opportunities for drama are boundless in the Civil War, the range of human emotions breath-taking. We see the best and worst of humanity, and, as an author, that’s exciting to explore. I realized that if I could get a little braver in dealing with a very tough time period, there was a wellspring of experiences to be discovered and retold.
And as for my love for the South– I’m Southern-born and bred, so that helps! There is a lot of rich culture in the South which is fun to dig into. But mostly, I really wanted to write characters who resonated from my experience. And, for me at least, that meant sticking close to home. But my historical male lead in Southern Rain is Massachusetts-born and bred, which I loved, so you never know where I might take you in the future! (P.S. Marisa, I gave you a really long answer – sorry! 🙂 )

Hannah: How do you (or do you?) stay unattached/unbiased in historic movements or historical characters’ moral actions?
Tara: So much of what our historical characters do or believe can be mind-boggling or even morally wrong to our modern eyes. So the writer has two choices: tell the story like it would have been or sugar-coat the past. That’s not always an easy decision to make, but for the most part, I try to tell the truth. It seems like the best course, and largely, I think that’s the reason readers of Historical Fiction pick up a book: to be transported to another time and place and maybe learn something along the way. For the big questions of morality, I let the peers of the characters judge them as they would have during the time period in question. An example would be Lydia Bennett being engraved on our memories as a flighty girl because everyone in the Regency Era would have said so. A more modern pen might have taken a more sympathetic look at the full picture (she was young, her father was absent-minded, her mother was driving her to be married, etc.) and ultimately ended on a more forgiving note that really wouldn’t have been accurate to the Regency Era. But we want that accuracy as readers of Historical Fiction, or otherwise, we would be reading modern books. Slavery is the obvious example from Southern Rain, and, of course, it takes everything within the modern author not to be heavy-handed with the message, “This is an affront to human dignity!” But I think the facts send that message more effectively, so I try (try!) to take my emotions out of it and let the story tell itself.

Hannah: Did anything in this book challenge you or take you out of your comfort zone?
Tara: Yes! This is the hardest book I have ever written for reasons too numerous to undertake, but largely because the chemistry between the two main couples was delicate, and I kept smashing it and having to fix it. As for my comfort zone, two things immediately come to mind. 1) There were some storylines dealing with feminine health, and proper Southern ladies don’t talk about that. (Okay, I’m seeing that that is funny now and will try to get over my missishness.) 2) There was a storyline which felt a little too edgy for me, definitely out of my comfort zone, but when I prayed about it, I got an enthusiastic, “Yes, go for it!” So, yeah… Sometimes, you just take a leap of faith!

Hannah: What distinguishes you from other historical/romance authors?
Tara: I find that the publishing world pushes authors to write what is called high-concept. Basically, that means you have a cute story hook that will propel the whole story. (Example: With one month left until the big baking competition, Chef Laura is on a mission to find the perfect cake. The only problem is that so is her chief rival, Chef Tom. Will love ensue as they work toward their goal?) On the other end of the spectrum, you have full-fledged literature, which I call high-brow. Those are great, too, and they look deeply at the questions of life and humanity. But my favorite kind of book is those which pull some elements from both: the readable quality of high concept with the depth of literature. So I call my writing style middle-brow: enjoyable reading with a dose of grounded reality.

Hannah: Do you write Christian Fiction or General Market?
Tara:  I would say General Market. I am a Christian, and you will always find Christian elements in my books. I have always tried to be sensitive to whether I am called to write on the Christian market, because I do think that is a calling. I love Christian fiction (a good 70% of my shelves are filled with it!), and really, my books could, for the most part, sit on a Christian Fiction shelf and not be out of place. However, one day, I was gearing up to enter a Christian contest, which, if won, could offer a very lucrative deal. I was plowing ahead, mind you, no prayer involved, or at least only minimal reflection (anyone else have this tendency?). I spent hours formatting my submission to the guidelines, writing a cover letter, proof-reading with a fine-tooth comb… Only to feel, at the last minute, right before I hit “submit,” that unmistakable pull that said, “Don’t do that.” And of course, when we feel that, obedience is always the best course. I closed my laptop, and that was that. So, for the time being, I feel led to market to a broader audience.

Hannah: What age group or audience do you target?
Tara: I think there’s something for everyone in my writing. As far as age – I do deal with some heavy topics: emotions and sin and life and the fall-out from all of that which reflects the human experience. There is romance, but it’s more of a camera panning away variety than a panoramic view. There are a few (as we say in the South!) cuss words because, á la Rhett Butler, there are times when, “Frankly, my dear, I don’t give a darn!” just doesn’t cut it. Would I have let my sister read it when she was a young teen? Yes, even though I was a helicopter-older sister about what she read. But I would encourage parents to read first and then make that decision on their own, since everyone feels differently. And, as always, if there are any questions, just contact me, and I will be happy to answer!

Hannah: Why did you choose this book – out of all your completed manuscripts – to be the first published book?
Tara: Well, the simple answer is that I felt led to do so. I have other manuscripts which I would have felt more comfortable putting out there, but I felt that pull with Southern Rain, and I am trusting that God has a plan!

Hannah: What do you hope the reader gets from this novel?
Tara: This is a little hard because Southern Rain is part of a three-book series, which I kind of see as one unit. So you may not see the whole picture when you end the first book, but I’m thinking you will by the third. And I don’t want to give anything away, so I’ll just say generally that several themes do present themselves, and I think you’ll see them. If you don’t, that’s fine: reading is all about what the reader gets from the book, not what the writer intends.

Hannah: What font do you write in? It says a lot about a person. 😉
Tara:  Calibri (Body) 11. I know, so lame. But I love it. No, I’m kidding, it’s just what auto-filled to my Word document, and I got really used to looking at it and couldn’t change when I tried.

Kelly: What is the one book that you’ll read again and again?
Tara: Can I pick two? A Bride Most Begrudging by Deeanne Gist and Bath Tangle by Georgette Heyer.

Kelly: On a Friday night, what would we find you doing?
Tara: I’ll usually be watching something on Amazon or Netflix while eating Chipotle. After that, I usually turn the TV off and write if the muses are speaking or read if my eyes aren’t too tired from work. Or sometimes I go and stay with my mom, and we chat and watch British mysteries!

Hannah: What types of books can we expect to see from you in the future?
Tara: Of course, there will be two more books in the Torn Asunder Series, which will be available in the Spring of ’20. After that, like I mentioned above, we’ll be sticking in the Civil War Era (unless something changes!) with a three-book series set in Appomattox, Virginia, which focuses on five siblings and their experiences in life, loss, and love during the Civil War. After that, we might visit Jacksonian America for a family drama, revisit the Civil War, or maybe something modern– who can tell? I’d love to hear readers’ thoughts as we go!

Again, if there’s anything you’d like to ask me, just fire away! Hope you enjoyed the interview!

Review: America’s First Daughter

I cannot say enough about America’s First Daughter. As I was just beginning to read it, I looked at my sister and said, “This is the most well-written book I have read in…” I couldn’t remember when. Usually, the highest compliment I give a book is that it was a page-turner, but I need to take just a moment to honor the craft that Kamoie and Dray put to use in this book. The words flowed like honey. The characters sparkled. The descriptions drew you into the time period. The emotions were beautifully displayed. The scenes were well-chosen. Your trust in the authors is complete.

Now, about the actual story. I can’t say it better than Erika Robuck did in her great quote which is on the back of the book: “Not since Gone with the Wind has a single-volume family saga so brilliantly portrayed the triumphs, trials, and sins of a family in the American South.” That is a powerful appraisal.  Full disclosure: I love Revolutionary and Early Republic history, I love Thomas Jefferson, and I love the American South. But I think you would like this book even if you liked none of those things.

Now, don’t go into it expecting a traditional historical romance. There is romance, and it is beautifully done. But it isn’t neat, isn’t always happy, and it doesn’t necessarily leave you feeling warm and fuzzy. And there’s a lot more than just romance. I would liken this book to Nancy Moser’s fabulous Washington’s Lady, although that book is a little easier to swallow for its sweet, real-life affection between George and Martha. But the books are similar in that they don’t allow you to feel sheltered from the hardships that, historically, men and women faced. People die. Marriages break. People live in despair. And life goes on. I hope I haven’t scared you away because this book is well-worth your time. I just wanted to make sure you were buckled up for the ride!

We follow Martha “Patsy” Jefferson Randolph from childhood through her father’s death. She was an amazing, flawed, strong woman, and it was a joy to view the world through her eyes.
I consider that this book has four great triumphs and three minor downsides.
One triumph is its portrayal of Patsy’s husband, Thomas “Tom” Mann Randolph. I haven’t seen such a deep, honest, and rich psychological study of a character in fiction perhaps ever. The authors “go there” with Tom in ways which have you shifting uncomfortably in your seat, cringing, hating, and yet, remarkably, still feeling sympathy.

Another triumph is Sally Hemings. What an amazing woman! We can’t know what her relationship with Patsy was like, but this felt spot-on. The choices she made, her relationship with Jefferson, and her status at Monticello were on point based on my research. But to give her a personality, a character based off what we do know about her – that gave the book real value.

Another value of this book is rescuing William Short from disappearing into the abyss of history. He was a remarkable, radical figure which has hitherto been rather lost to American knowledge.

The last triumph of this book is perhaps its greatest. I think a lot of historical novelists are afraid to tell the truth as seen from their characters’ eyes. I have felt those pressures: do I say what my character in this era really would’ve thought or modernize their point of view to what we think today so that no one feels uncomfortable? The fact of the matter is that we as historical novelists are dealing with people who lived sometimes hundreds of years ago, who have their own set of experiences and beliefs that are often quite different from ours. This book fearlessly explores that dynamic, dealing with hard topics empathetically and respectfully through Patsy’s eyes while not masking her flaws or the era’s. In this book, we see the truth about history and human weakness and the effects of sin. We see joy and love and hope, too. We see the truth, ugly and beautiful.

Now for my minor grievances (no book review about Jefferson would be complete without a listing of grievances, would it?).

One is that the character of Thomas Jefferson himself often didn’t feel fully fleshed out. For Patsy’s youth we really dig into his psyche, but after that, he kind of felt like a character to fill a chair at the table. I wish he had been a little more dynamic so that we could understand Patsy’s utter devotion and sense of responsibility. Related is another point about Jefferson, which is not a criticism, but a caution. One danger, I think, in seeing things through Patsy’s eyes is that readers might walk away feeling like they know the man Jefferson, but I don’t think that was the purpose of this book. Everything dealing with him was done respectfully and accurately, but since we have only Patsy’s perspective, and since she is no different from anyone else in that she always worried her loved ones weren’t quite capable without her, we don’t get the full impression. For that full impression, and for a non-fiction which reads as fast as good fiction, I would highly recommend Jon Meacham’s Thomas Jefferson and the Art of Power.

Another thing, which is totally unimportant, is that I don’t think the portrayal of James and Dolley Madison was the best. That was not the focus, and you can overlook it.

Finally, this book took forever to finish. I can’t imagine how difficult it must have been to condense an entire life, and such a life, into one volume, but it was really long. It is actually larger than it looks because the pages are quite thin and full. It was also emotionally and historically heavy, which is really the only explanation for why it took me three times as long to read a book that was beautifully written and held my interest. I was ready for it to be over, but I certainly didn’t feel like I wasted my time. It was, on the whole, a very moving experience.

Five out of five stars, which I don’t give lightly. Now go read it!

-Tara

Writing Tips for Novelists

I often get asked how I write best.  I think people expect me to say, “On an island, surrounded by palm trees, with soft music flowing in the background.”  The truth is, my brain is a glutton for punishment.  If I treated it to the island of palm trees, it would completely shut down every creative nerve I have.

But to back up, I thought it would be fun to give you a few insights into my writing life and style.  I consider writing as having two phases, the most important having nothing to do with pen and paper or laptop or actually writing.  There’s the “thinking” phase and the “typing” phase.  Most creativity comes, indeed most of the story is written, during the thinking phase.  That’s when you have a spacey look in your eye, when your family and friends notice you’re not answering their questions exactly right. That’s where the magic happens.  I need 70% of my writing to happen in this phase, or I usually know the story’s not ready to be penned.  This is where you let the inspiration flow.  Often it happens (because of the brain’s rebellious spirit) when I’m still writing something else.

I don’t know about other authors, but I find it is particularly important not to cage my brain.  Don’t outline furiously.  Let it flow organically.  I usually do minimal outlining (i.e., if I “outline,” I write about ten words in chronological order so I don’t forget the general flow) and only write specific lines down if the wording as I have thought it out in my head feels particularly right. Don’t get hung up on a particular story development or plot and sit there and dwell and dwell on it, whether you’re stuck or you’ve just had a grand inspiration.  If an idea comes to you that is particularly delicious, don’t overthink it and carry it to all of its natural conclusions.  You need to leave something to keep the spark alive.  Pull back.  It’s like not wearing out your favorite song.  Leave something to be explored. 

Taking good ideas that thrill you and fleshing them out should make up most of that 30% that’s left for the typing phase.  Thinking and typing happen simultaneously during a lot of the typing phase, and that’s when the juices really get to flowing and you take your story over the edge.  That’s what saves the typing phase from being drudge work.  Sure, you’re having to spend long hours in your chair writing out things that are already in your head, but if you save some of that deliciousness and let it unfurl during the typing, the story will excite you anew, and you’ll pound it out in a couple of months.

So what about that island of soft music?  No can do for me.  During the thinking phase, I do listen to music that inspires me, but once the typing phase starts, the room must be totally silent.  I also work best under oppression, or when my mind is supposed to be entirely devoted to something else.  Are you laughing at me yet?  For example, my first week of law school basically called for me to be a performing monkey/robot.  No time was allotted for me to do anything I wanted to do (barely even squeezed in a shower), and yet, in the spirit of rebellion, my creative juices flowed like never before, and I feel like I wrote half a book in my head.  Also, sometimes at church.  Yes, I know that’s naughty.  But there’s something about knowing you’re supposed to be concentrating on something else that makes creativity sparkle.

I also need total privacy.  if I felt like someone could see what I was writing, I wouldn’t write honestly.  If I asked for someone’s opinion, I wouldn’t go with my instincts.  And honesty and instincts are the very backbone of a good writer.  Now for a few more tips as you picture me writing away in a drab, silent room…

Tips:

-Make a Spotify or Pandora playlist for your book, think of the mood of the book, take that mood one extreme further, and reflect that in the music.  If your book is spunky, play really spunky music.  If your book is serious, go for Downton Abbey trailer material.  Get the idea?  Not all of the music has to be time/place appropriate, although some of that is good.  For example, there’s a Fleetwood Mac song that that reminds me of my Civil War couple, and that’s on their playlist.  But I also add in a lot of instrumental pieces to keep me grounded in the era.

-Have someone to bounce ideas off of when you get stuck.  Occasionally that person will have some brilliant idea to fix it all, but usually the answer is already within you.  You just need to tap it.  Make sure it’s only one or two people, though, and someone you trust implicitly so you don’t lose your honesty and instincts.

-Think about your emotions.  Are you feeling it?  If you’re not, your reader very rarely is, and you’ve gotten off track.  Go back and try to find where.

-Sometimes something as little as one sentence can throw your entire story off.  You’ve described something wrong, set the wrong mood… Don’t always look for huge things.

-For writer’s block: pray.  I mean it.  I’ve been there.  There are no quick fixes.  God will show you a way through when the time is right.  And you’ll probably learn something along the way.

-To stay true to a character’s personality, get an image of the character that is the essence of their personality, and keep bringing yourself back to it when you lose them.  For example, female lead in a candlelit room with vulnerability in her eyes. Male lead staring off into the distance, lost in his thoughts.  You get the idea.

-Write to glorify God.  You might think, “How can my small town rom-com glorify Him when it doesn’t even have a religious vibe?”  It can.  You would be surprised how creative He is.  Let Him take you to the next level.

Stop by soon for the playlists from my current work-in-progress!

Our Favorite Literary Couples

Happy Valentine’s Day!  In honor of this day of love, we (my sister and I) thought we would share some of our favorite literary couples.  Who are yours? Tell us in the comments.  We always love recommendations!

Hannah’s Favorites:
Jane and Mr. Rochester – Jane Eyre
Nora and Sullivan – Now That You Mention It
Anne and Captain Wentworth – Persuasion
Margaret and Mr. Thornton – North and South
Arabella and TurnipThe Mischief of the Mistletoe
Charlotte and RobertThe Temptation of the Night Jasmine
Jade and Daniel – Dancing with Fireflies
Lady Julia and Nicholas Brisbane – The Lady Julia Novels
Lena and Kostos – The Sisterhood of the Travelling Pants
Caroline and Charles – Candle in the Darkness
Brett and Jake – The Sun Also Rises

Tara’s Favorites:
Lizzie and Darcy – Pride and Prejudice
Melanie and Ashley – Gone With the Wind
Natasha and Pierre – War and Peace
Katherine and Petruchio – The Taming of the Shrew
Serena and Rotherham – Bath Tangle
Valancy and Barney – The Blue Castle
Constance and Drew – A Bridge Most Begrudging
Kate and Lucas – The Convenient Groom
Elisabeth and Jack – Mine is the Night
Molly and James – Beyond this Moment
Venetia and Damerel – Venetia
Anne and Gilbert – Anne of Green Gables
Harriet Vane and Lord Peter – The Lord Peter Series
Sophy and Charles – The Grand Sophy
Amelia Peabody and Radcliffe – The Amelia Peabody Series
Emma and Mr. Knightly – Emma

Are yours any of the same?  Enjoy!