What I’ve Been Watching…

It has been a while since I’ve done an in-depth film review, so I thought I would drop in to let you know what I’ve been watching! If you’re like me, you’re always looking for good options, so hopefully you will find something to interest you here.

  • Sweet MagnoliasI have to say, I wasn’t sure about this show at first, largely because the first scene included both disastrous attempts at Southern accents and a misunderstanding of how the legal system works.  Luckily, I persevered through the first scene, because…I absolutely ended up loving this show. The accents seemed to level out (or maybe I just got used to them?), and although I continued to have concerns about obvious misunderstandings of the legal system, the lawyer character, Helen Decatur, was phenomenal. She was a strong woman, convinced of her own internal worth, confident, and beautifully played by actress Heather Headley. It’s a story of three friends who are, I think, supposed to be in their late thirties or early forties: Maddie, Helen, and Dana. All have their own stories and struggles. Maddie and Dana have children, and the show accomplishes something remarkable: portraying teenagers as actual teenagers and actually making it interesting. I’m not even a baseball fan, but I enjoyed even the high school baseball drama! The kids in the show are all amazing actors. You will see some recycled storylines. Part of the way through, I thought: this is a little Reba, a little Gilmore Girls, and a little Friday Night Lights. And yet…somehow it works tremendously. The show is authentically small-town-Southern. It handles big issues and big emotions delicately. It has a natural, easy way with diversity that few shows accomplish these days. It has tons of charm. And I cannot wait for Season 2!
    Streaming on Netflix.
  • Virgin RiverI have such a love-hate relationship with this show (which consists in me loving it half the time, and me hating it half the time!). The show has a lot of heart. Then it suspends reality. Then the characters are completely relatable. Then they are off the rails… I’ve watched all of the seasons. I’m not sure I’ll watch the next. I always say that; then I always do.
    Streaming on Netflix.
  • Never Have I EverThis is a fun teen drama. With Mindy Kaling at the helm, you are in for some laughs. The first season packed a satisfying emotional punch with the ending. The second season was slightly less satisfying, but I think the writers still have their hands on the reins, so I’ll be watching the third season.
    Streaming on Netflix.
  • The Parisian AgencyThis is a reality show featuring a French family of luxury realtors (a mom, dad, and four sons). It is in French, so I used subtitles, which is, admittedly, a bit exhausting. But it was worth it to get a look at what luxury means in Paris, as well as French culture. I also enjoyed the interactions of the Kretz family and seeing common familial bonds, love, and squabbles across a culture purportedly so different from our own. 
    Streaming on Netflix.
  • Emily in ParisSpeaking of Paris… The show is a little chick-flicky boring…and then all of the sudden turns edgy. It has the “American in Paris” dichotomy of provincial, good kid thrust into the world of Paris and all its culture and sins that has, I think, been a popular ideation since Thomas Jefferson went to Paris as Minister to France in 1785. And the idea of exploring Paris through American eyes did feel fun and accessible, as well as interesting, culturally speaking. I have to say, I did not find the main character relatable or likeable. I sometimes mused to myself that she had been miscast. However, from my admittedly limited knowledge of French culture, there seemed to be a lot that the show got right, and the writers were certainly not lazy with the plot. I’ll be looking forward to the second season!
    Streaming on Netflix.

  • 9/11: Inside the President’s War RoomThis BBC documentary ties the events of 9/11 with a timeline for President Bush and his cabinet on that day. I don’t typically watch 9/11 documentaries, but I wanted to do something to commemorate the 20th anniversary. I highly recommend this documentary. It covers the actions taken and decisions made that day and has a lot of pictures that are never-before-seen. Most of the big players, including Bush, Rice, and Powell, agreed to be interviewed, and I think that will be a huge treasure to history in the future. We don’t have, for instance, a minute-by-minute interview with FDR of his day during the Pearl Harbor attacks, which would be so illuminating. The documentary was very educational and moving without being overwhelming. 
    Streaming on Apple TV.
  • Jack Whitehall: Travels with My FatherThis is a show consisting of a young comedian who goes on world travels with his father. It is often hilarious, with the father being completely unconcerned about political correctness. He does it from the position of an elderly English aristocrat, which comes off as snobbishess, which is why I think he gets away with it when others wouldn’t. The dynamic between father and son is unique and just very funny. It was funnier to me when I just thought they were a father-son duo who were in a reality show practicing off-the-cuff banter. It became clear early on that at least some parts of it were coordinated, however. I have to say that my joy was sapped by that question of doubt as to the raw reality of the show. I enjoy scripted humor if it doesn’t pretend to be otherwise, and I enjoy real life humor. Scripted humor parading as real-life humor leaves me feeling ruffled and a bit cheated. In this case, the question was how reluctant to be there (a huge point of the humor) could the father really be if he had memorized a script? You can’t have a grumpy old man pretending to be a grumpy old man—that takes self-awareness and humor. That being said, I have read articles which state that their off-the-cuff banter is phenomenal, so to the extent the show is a bit rehearsed, it is definitely playing off that dynamic. And it was still funny, even if a bit cheaper form of humor, and you learn some about the places they travel. It’s excellent escapism. Streaming on Netflix.

  • The Chair: This university dramedy with Sandra Oh is almost eerily real sometimes. The writers must be very well-versed in small-major liberal arts academia. Literally, it’s like they know my professors. They also weren’t afraid to “go there” with the drama of a woke student body. I think everyone could take something away from the show. It was very insightful on the troubled family life of academics, but lovingly presented in its humanity. It will also be eye-opening to many on the subject of how, if universities can’t find an internal fabric, they are in very real trouble. There were moments of humor. There are various moments when probably everyone will be very annoyed. It could be heavy; it could be very light (hence, the “dramedy”). I think everyone, whatever their political alignment, will feel both vindicated and frustrated variously. And for that, I give the show high marks.
    Streaming on Netflix.

  • The Babysitters Club: This, when it stays on script, is a good little show based on the original book series about a group of entrepreneurial middle school girls who have a babysitting service. There’s a lot of depth to the show, and it gets a lot right about coming of age. Unfortunately, in Season One, there was a storyline about a trans child that was very uncomfortable to watch for various reasons, none of which have anything to do with trans storylines in general. It involved a very young child, and it just missed it in several aspects. In fact, I thought the show handled it inappropriately. Because of this, I almost didn’t watch Season Two. But because the show had proven itself in other respects, I decided that it might have just been a well-intentioned attempt to make the show inclusive which went off the rails a bit. But Season Two began, to some extent, to go down the path of Anne With an E, which I discussed here. Netflix obviously has an agenda, and it is their right to do so. It is also the right of viewers to criticize when a show’s integrity begins to be harmed by that agenda. 🤷🏻‍♀️ Look, most everything on streaming devices has a left-leaning bent. That’s not what I’m talking about. That can be art. Including long passages that are information dumps about political theories that have only the flimsiest tie to any storyline and pressing them to an insufferable degree…that is not art. That is politics. And that is fine. But it shouldn’t be parading as art. Especially, like Anne With an E, when it draws in an audience based on the reputation of a classic. And it is worth noting that the two shows with which I have seen this done to the largest extent are both shows primarily for children. Which takes Netflix’s agenda to a whole new level, and one that I can’t imagine will end well for them. We shall see. So, like Anne With an E, when the show shines, it really shines. When it strays off task, it loses the thread. So take that for what you will. 
    Streaming on Netflix.

  • Miss Scarlet and the Duke: This is a great show about a female detective in Victorian London, who often comes up against her frenemy, a Scotland Yard Detective Inspector. I am usually not a huge fan of detective dramas, but this one is in the old-fashioned tradition of British whodunnits, where the emphasis is on the people. The romance hits all of the right notes, the tension being superbly written and masterfully acted. It’s in another great British tradition of being of a slow-burn variety and subtle, while nonetheless being passionate. Season One aired on PBS Masterpiece a few months ago, and you may be able to catch it on PBS replays. It is streaming on PBS Passport now (their paid subscription streaming platform), and the first episode is free on Amazon Prime.
    Streaming on PBS Passport.

  • All Creatures Great and Small: This reboot of the beloved classic about a small village veterinarian is very heartwarming and family friendly. It’s a good storyline with a good cast. It ran simultaneously with Miss Scarlet and the Duke on PBS Masterpiece, and it was always a debate as to which would draw me in more. This is currently streaming on PBS Passport, and the first episode free on Amazon Prime.
    Streaming on PBS Passport.

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Tara Cowan Author

Tara Cowan is the author of the Torn Asunder Series, including Southern Rain, Northern Fire, and Charleston Tides. A huge lover of all things history, she likes to travel to historic sites, watch British dramas, read good fiction, and spend time with her family. An attorney, Tara lives in Tennessee and is busy writing her next novel. To connect with Tara, find her on Facebook or follow her on Instagram or Twitter.